Konstfacks bibliotek

*000     nam a        a 4500
*00148548
*00520200915125001.0
*008200915s2004    enka|||f||||||000 0|eng| 
*020  $a0907594972$q(pbk.)
*020  $a9780907594970$q(pbk.)
*035  $a(OCoLC)ocm56540452
*035  $a(SE-LIBR)5j83kwkz3nrbw2fl
*041  $aeng
*050 4$aN6537
*08204$a709.2$222
*084  $aIbz$2kssb/8 (machine generated)
*24510$aLonnie Holley :$bdo we think too much? I don't think we can ever stop /$c[by Lonnie Holley and others].
*264 1$aBirmingham :$bIkon Gallery,$c2004
*300  $a78 pages$billustrations (chiefly color)$c23 cm
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*505  $aForeword / Gail Andrews Trechsel, Jonathan Watkins -- My name is Lonnie Bradley Holley / Lonnie Holley -- Reclaiming a prophet : Lonnie Holley and Birmingham / Gail Andrews Trechsel -- Photographic traces / Thomas W. Southall -- Eloquence as action : the art of Lonnie Holley / David Moos -- Falling out of history / Michael Stanley -- Plates -- Lonnie Holley in the garden / Emily G. Hanna -- Selected bibliography -- Biography.
*60010$aHolley, Lonnie$xCriticism and interpretation.
*60017$aHolley, Lonnie.$2fast
*655 7$aExhibition catalogs.$2fast
*655 7$aCriticism, interpretation, etc.$2fast
*655 7$aExhibition catalogs.$2lcgft
*700  $aHolley, Lonnie.
*710 2$aIkon Gallery.
*852  $5Ko$bKo$cKONST -$hIbz Holley, Lonnie
*887  $a{"@id":"5j83kwkz3nrbw2fl","modified":"2020-09-15T12:50:01.462+02:00","checksum":"123297617126"}$2librisxl
*887  $5Ko$a{"@id":"cqg9r5m29djhqc22","modified":"2020-11-05T13:57:39.73+01:00","checksum":"166658657453"}$2librisxl
^

This 25-year survey of self-taught Alabama artist Lonnie Holley--celebrated for his large installations of salvaged materials--considers his oeuvre in the context of mainstream multimedia work.