Hylla
Personnamn
Titel och upphov
Utgivning, distribution etc. The MIT Press, Cambridge, Massachusetts : [2019]
©2019
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xv, 373 pages illustrations 24 cm
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll Think or do -- In the beginning -- Words matter -- Representing -- The idea and the actual -- Projection -- The transmitting hand -- Working with material -- Material and umwelt -- Inside the design process -- Design tools and their roles -- Smoothness.
Anmärkning: Innehållsbeskrivning, sammanfattning "Design is a specific and revealing interaction of material and our mind that focuses on the ways in which humans make art, work with material s, and use tools. Design and the design imagination are influenced by the medium and material s used in the design process, which is certainly of great interest to designers. But design is also what we are surrounded by; the scrim of daily life consists almost solely of designed and manufactured material s and artifacts. Our interaction with this fabricated reality and how it affects our mind is consequential as we rapidly reach the limits of our physical resources. How we continue to shape our world as it continues to shape us is an important question for everyone. Just how this shaping is meaningful will lead us to tell new stories, ones that require imagination and empathy"-- Provided by publisher.
Term
ISBN
Antal i kö:
*00002838cam a2200457 i 4500
*00148473
*00520200317175326.0
*008200317s2019 maua||||||||||001 0|eng|c
*020 $a9780262042727$q(hardcover :$qalk. paper)
*035 $a(SE-LIBR)3fgh5j3f1h1gjfq8
*041 $aeng
*050 0$aNK1520
*08200$a745.401/9$223
*084 $aIh$2kssb/8 (machine generated)
*1001 $aBardt, Christopher$4aut
*24510$aMaterial and mind /$cChristopher Bardt.
*264 1$aCambridge, Massachusetts :$bThe MIT Press,$c[2019]
*264 4$c©2019
*300 $axv, 373 pages$billustrations$c24 cm
*336 $atext$btxt$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*504 $aIncludes bibliographical references and index.
*5058 $aThink or do -- In the beginning -- Words matter -- Representing -- The idea and the actual -- Projection -- The transmitting hand -- Working with material -- Material and umwelt -- Inside the design process -- Design tools and their roles -- Smoothness.
*520 $a"Design is a specific and revealing interaction of material and our mind that focuses on the ways in which humans make art, work with material s, and use tools. Design and the design imagination are influenced by the medium and material s used in the design process, which is certainly of great interest to designers. But design is also what we are surrounded by; the scrim of daily life consists almost solely of designed and manufactured material s and artifacts. Our interaction with this fabricated reality and how it affects our mind is consequential as we rapidly reach the limits of our physical resources. How we continue to shape our world as it continues to shape us is an important question for everyone. Just how this shaping is meaningful will lead us to tell new stories, ones that require imagination and empathy"--$cProvided by publisher.
*650 7$aMaterial $2sao
*650 0$aMaterial s.
*650 0$aDesign$xPsychological aspects.
*650 7$aDesign$xpsykologiska aspekter$2sao
*650 0$aMaterial s
*852 $5Ko$bKo$cDESIGN -$hIh:d
*887 $a{"@id":"3fgh5j3f1h1gjfq8","modified":"2020-03-17T17:53:26.74+01:00","checksum":"116312718976"}$2librisxl
*887 $5Ko$a{"@id":"1d4x7v2dz03sxptl","modified":"2020-09-23T15:15:12.127+02:00","checksum":"97053308902"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
An in-depth exploration of the interaction between mind and material world, mediated by language, image, and making-in design, the arts, culture, and science. In Material and Mind , Christopher Bardt delves deeply into the interaction of mind and material world, mediated by language, image, and the process of making. He examines thought not as something "pure" and autonomous but as emerging from working with material, and he identifies this as the source of imagination and creative insight. This takes place as much in such disciplines as cognitive science, anthropology, and poetry as it does in the more obvious painting, sculpture, and design. In some fields, the medium of work is, in fact, the very medium of thinking-as fabric is for the tailor.
Acknowledgments p. xiii Introduction p. 1 Think or Do p. 9 Concepts and Material p. 12 Thought and Action, Action and Thought p. 14 Mind and Body p. 19 Brain and Hands p. 23 Engaging Material p. 25 Doubt p. 28 Meaning and Emotion p. 30 In the Beginning p. 33 Awareness p. 36 Beyond Seeing p. 44 Making and Speaking p. 46 Social Organization and Art p. 52 Words Matter p. 57 From Gesture to Thinking p. 59 Language and Empathy p. 63 The Material Origins of Writing p. 64 From Sounds to Marks p. 71 Representing p. 75 Every Story Tells a Picture p. 77 Metaphor p. 80 Locating the Imagination p. 82 Formal and Material Reveries p. 87 Visual Images p. 95 The Idea and the Actual p. 103 Eidos and Entelechy p. 103 Experience and Conceptualization p. 108 Cosmological Concepts and Observations: The Example of Kepler p. 113 Science of the Concrete p. 121 Projection p. 125 Theater p. 126 Between Recording and Representing p. 129 Shadows p. 133 Perspective p. 135 Conflicts between Perception and Perspective p. 148 The Transmitting Hand p. 159 Drawing and Making p. 159 Le Corbusier and Ronchamp p. 167 Empathy: Feeling at a Distance p. 173 Working with Material p. 185 Creativity versus Productivity p. 185 Attention p. 186 Material Empathy and Material Imagination p. 192 Materials and Representation p. 195 What the Tugendhat House Tells Us p. 201 Material and Umwelt p. 223 The Situational Mature of Material p. 229 Extended and Enacted Minds p. 233 Articulation and Resistance p. 235 Cultured Stone and Social Stone p. 239 Inside the Design Process p. 251 The Bricoleur p. 251 Words That Propel p. 256 Making and Breaking Rules p. 258 Material as a Medium p. 259 Material Analogies p. 262 Material Thinking p. 264 Reductive and Narrative Approaches p. 266 Operating between Logos and Mythos p. 268 Models p. 272 Incremental Creativity p. 276 Working Drawings p. 277 Scale p. 280 Design Tools and Their Roles p. 287 Digital Tools p. 292 Actions and Commands p. 293 Mosaics and Pixels p. 295 Ideas and Knowledge p. 299 The Digital Hand p. 301 Smoothness p. 307 From Making to Consuming p. 308 Situated and Methodical Thinking p. 311 Resistance and Meaning p. 312 Digital Fabrication p. 315 Flux p. 321 Image, Surface, and Screen p. 322 Sensible and Sustainable p. 330 Digitization's Impact on the Mind p. 331 Notes p. 339 Bibliography p. 349 Figure Credits p. 359 Index p. 363