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How the world became a stage : presence, theatricality, and the question of modernity
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Main Entry - Personal Name
Title Statement
  • How the world became a stage : presence, theatricality, and the question of modernity
Publication, Distribution, etc. (Imprint)
  • State University of New York Press, Albany : cop. 2003
  • 2003
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • 208 s.
Bibliography, etc. Note
  • Includes bibliographical references and index.
Subject - Topical Term
ISBN
  • 0791455459
  • 0791455467
Waiting
  • 0 (0)
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*020  $a0791455459$qalk. paper
*020  $a0791455467$qpbk. : alk. paper
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*035  $a(SE-LIBR)8517554
*041  $aeng
*05000$aPN2171$b.E37 2002
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*084  $aIkb-a.4$2kssb/7
*1001 $aEgginton, William,$d1969-$4aut
*24510$aHow the world became a stage :$bpresence, theatricality, and the question of modernity /$cWilliam Egginton.
*264 1$aAlbany :$bState University of New York Press,$ccop. 2003
*300  $a208 s.
*504  $aIncludes bibliographical references and index.
*650 7$aTeater och samhälle$zEuropa$y1500-talet$y1600-talet$2sao
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*650 0$aTheater$zEurope$xHistory$y16th century.
*650 0$aTheater$zEurope$xHistory$y17th century.
*650 0$aTheater and society$zEurope$xHistory$y16th century.
*650 0$aTheater and society$zEurope$xHistory$y17th century.
*852  $5Ko$bKo$hIk
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^
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Argues that the experience of modernity is fundamentally spatial rather than subjective.

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