Konstfacks bibliotek

The craftsman
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  • Tillgänglig inom Konstfack
Personnamn
Titel och upphov
  • The craftsman
Utgivning, distribution etc.
  • Yale University Press, New Haven : ©2008
Utgivningsår
  • 2008
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 1 online resource (326 pages)
Anmärkning: Bibliografi etc.
  • Includes bibliographical references (pages 297-315) and index.
Anmärkning: Innehåll
  • Prologue : man as his own maker -- Craftsmen -- The troubled craftsman -- The workshop -- Machines -- Material consciousness -- Craft -- The hand -- Expressive instructions -- Arousing tools -- Resistance and ambiguity -- Craftsmanship -- Quality-driven work -- Ability -- Conclusion : the philosophical workshop.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • Defining craftsmanship far more broadly than "skilled manual labor," Richard Sennett maintains that the computer programmer, the doctor, the artist, and even the parent and citizen engage in a craftsman's work. Craftsmanship names the basic human impulse.
Personnamn
Term
Annat medium
  • Print version: Sennett, Richard, 1943- Craftsman. New Haven : Yale University Press, ©2008
Elektronisk adress och åtkomst (URI)
  • Ko https://ebookcentral.proquest.com/lib/konstfack/detail.action?docID=3420443 Read online / download
ISBN
  • 9780300149555
  • 0300149557
  • 1282089595
  • 9781282089594
Antal i kö:
  • 0 (0)
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In his most ambitious book to date, Richard Sennett offers an original perspective on craftsmanship and its close connections to work and ethical values

Craftsmanship, says Richard Sennett, names the basic human impulse to do a job well for its own sake, and good craftsmanship involves developing skills and focusing on the work rather than ourselves. The computer programmer, the doctor, the artist, and even the parent and citizen all engage in a craftsman's work. In this thought-provoking book, Sennett explores the work of craftsmen past and present, identifies deep connections between material consciousness and ethical values, and challenges received ideas about what constitutes good work in today's world. The Craftsman engages the many dimensions of skill--from the technical demands to the obsessive energy required to do good work. Craftsmanship leads Sennett across time and space, from ancient Roman brickmakers to Renaissance goldsmiths to the printing presses of Enlightenment Paris and the factories of industrial London; in the modern world he explores what experiences of good work are shared by computer programmers, nurses and doctors, musicians, glassblowers, and cooks. Unique in the scope of his thinking, Sennett expands previous notions of crafts and craftsmen and apprises us of the surprising extent to which we can learn about ourselves through the labor of making physical things.

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