Hylla FOTOGRAFI - Inz Frazier, LaToya Ruby
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Utgivning, distribution etc. Aperture Foundation, New York : 2016
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Fysisk beskrivning 158 sidor fotografier 28 cm
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehållsbeskrivning, sammanfattning In this, her first book, LaToya Ruby Frazier (born 1982) offers an incisive exploration of the legacy of racism and economic decline in America's small towns, as embodied by Braddock, Pennsylvania, Frazier's hometown. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political--an intervention in the histories and narratives of the region that are dominated by stories of Andrew Carnegie and Pittsburgh's industrial past, but largely ignore those of black families and the working classes. Frazier has set her story of three generations--her Grandma Ruby, her mother and herself--against larger questions of civic belonging and responsibility.
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ISBN 1597112488 9781597112482 9781597113816
Antal i kö:
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*1001 $aFrazier, LaToya Ruby,$d1982-$4pht$4aut
*24014$aThe notion of family
*24514$aThe notion of family /$cLaToya Ruby Frazier ; essays by Dennis C. Dickerson and Laura Wexler ; interview by Dawoud Bey ; editor, Lesley A. Martin.
*250 $aFirst paperback edition
*264 1$aNew York :$bAperture Foundation,$c2016
*300 $a158 sidor$bfotografier$c28 cm
*336 $atext$btxt$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*504 $aIncludes bibliographical references.
*520 $aIn this, her first book, LaToya Ruby Frazier (born 1982) offers an incisive exploration of the legacy of racism and economic decline in America's small towns, as embodied by Braddock, Pennsylvania, Frazier's hometown. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political--an intervention in the histories and narratives of the region that are dominated by stories of Andrew Carnegie and Pittsburgh's industrial past, but largely ignore those of black families and the working classes. Frazier has set her story of three generations--her Grandma Ruby, her mother and herself--against larger questions of civic belonging and responsibility.
*60010$aFrazier, LaToya Ruby,$d1982-
*60010$aFrazier, LaToya Ruby,$d1982-$xCriticism and interpretation.
*650 7$aFotografi$0https://id.kb.se/term/sao/Fotografi$2sao
*650 7$aPorträttkonst$0https://id.kb.se/term/sao/Portr%C3%A4ttkonst$2sao
*650 7$aAfro-amerikanska konstnärer$0https://id.kb.se/term/sao/Afro-amerikanska%20konstn%C3%A4rer$2sao
*650 0$aPhotography of families.
*650 0$aPhotography, Artistic.
*650 0$aAfrican Americans$zPennsylvania$zBraddock$vPortraits.
*650 0$aArtists$zUnited States$vBiography.
*650 7$aPhotographie.$2gnd
*650 7$aSchwarze.$2gnd
*650 7$aFamilie.$2gnd
*650 7$aLebensbedingungen.$2gnd
*650 0$aAfrican American artists
*650 0$aPortraits
*650 0$aPortrait drawing
*650 0$aPhotography
*651 4$aFörenta staterna$0https://libris.kb.se/xv8b9vvg52nbbxp#it
*7001 $aDickerson, Dennis C.,$d1949-$4aut
*7001 $aWexler, Laura$4aut
*7001 $aBey, Dawoud,$d1953-$4oth
*7001 $aMartin, Lesley A.$4edt
*852 $5Ko$bKo$cFOTOGRAFI -$hInz Frazier, LaToya Ruby
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In this, her first book, LaToya Ruby Frazier offers an incisive exploration of the legacy of racism and economic decline in America's small towns, as embodied by her hometown of Braddock, Pennsylvania. The work also considers the impact of that decline on the community and on her family, creating a statement both personal and truly political-an intervention in the histories and narratives of the region. Frazier has compellingly set her story of three generations-her Grandma Ruby, her mother, and herself-against larger questions of civic belonging and responsibility. The work documents her own struggles and interactions with family and the expectations of community, and includes the documentation of the demise of Braddock's only hospital, reinforcing the idea that the history of a place is frequently written on the body as well as the landscape. With The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family-and her mother in particular. As Frazier says, her mother is "coauthor, artist, photographer, and subject. Our relationship primarily exists through a process of making images together. I see beauty in all her imperfections and abuse." In the creation of these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives, both those of her family and those of the community at large.