Konstfacks bibliotek

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*24510$aDifference and excess in contemporary art :$bthe visibility of women's practice /$cedited by Gill Perry.
*264 1$aOxford :$bBlackwell,$c2004
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*500  $aFirst publ. as vol. 26, nr 3 of Art History
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*650 7$aModern konst$xhistoria$zFörenta staterna$y1900-talet$2sao
*650 0$aWomen artists$zGreat Britain.
*650 0$aWomen artists$zUnited States.
*650 0$aArt, Modern$y20th century$xHistory.
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*7001 $aPerry, Gillian$4edt
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^

This thought-provoking book explores the increasing visibility of women's art in Britain, Europe and America.

Considers the work of American artists Martha Rosler and Kara Walker, Irish artist Alice Maher, British artists Lubaina Himid, Christine Borland, Sarah Lucas, Cornelia Parker, Gillian Wearing and Rachel Whiteread, and the international performance group, moti roti.
Features specially-commissioned interviews with some of these artists.
Covers diverse media, from sculpture and painting through to photography, installations, video and performance.

• Introduction: Visibility, Difference and Excess
• 'Out of it': Drunkenness and Ethics in Martha Rosler and Gillian Wearing
• A Strange Alchemy: Cornelia Parker: Interviewed
• Antibodies: Rachel Whiteread's Water Tower
• Hybrid Histories: Alice Maher
• Reading Black Through White in the Work of Kara Walker: A Discussion Between
• Corporeal Theory with in Practice: Christine Borland's Winter Garden
• Cultural Crossings: Performing Race and Trans-gender in the Work of moti roti
• Lubaina Himid's Plan B: Close-up Magic and Tricky Allusions