Konstfacks bibliotek

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This volume traces the challenge posed to the academic canon by the emergent avant-garde of the early and mid-19th century. It considers the shifts in its development through the later 19th and 20th century and its eventual incorporation as a form of modern canon by the eve of World War II.

• Prefacep. 6
• Introduction: the avant-garde and modernism Paul Woodp. 7
• The Early Avant-Garde
• The avant-garde from the July Monarchy to the Second Empirep. 35
• Material differences: the early avant-garde in Francep. 56
• Photography and modernity in nineteenth-century Francep. 70
• Modernity in Germany: the many sides of Adolph Menzelp. 91
• The Avant-Garde in Its Own Right
• The avant-garde and the Paris Communep. 113
• Caillebotte, masculinity, and the bourgeois gazep. 137
• Exhibiting modernity: the 1889 Universal Exhibition and the Eiffel Towerp. 156
• Exhibiting 'les Independants': Gauguin and the Cafe Volpini showp. 164
• 'The Point is to Change it'
• The avant-garde in the early twentieth centuryp. 183
• The Futurists: transcontinental avant-gardismp. 204
• The revolutionary avant-gardes: Dada, Constructivism and Surrealismp. 226
• Conclusion: for and against the avant-gardep. 257
• Recommended readingp. 273
• Indexp. 277