Konstfacks bibliotek

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*020  $a9781317178200
*035  $a(MiAaPQ)4436643
*035  $a(Au-PeEL)4436643
*035  $a(CaPaEBR)11488551
*035  $a(OCoLC)1018147091
*035  $a(MiAaPQ)EBC4436643
*050 4$aML3797 .A77 2016
*08200$a780.72
*1001 $aDoğantan-Dack, Mine
*24510$aArtistic Practice As Research in Music
*250  $a1
*264 1$aLondon$bTaylor & Francis Group$c2016
*264 4$c©2015
*300  $a1 online resource (258 pages)
*336  $atext$btxt$2rdacontent
*337  $acomputer$bc$2rdamedia
*338  $aonline resource$bcr$2rdacarrier
*4901 $aSEMPRE Studies in the Psychology of Music Ser.
*5050 $aCover Page -- Title Page -- Copyright page -- Dedication -- Contents -- List of Figures and Table -- List of Music Examples -- Notes on Contributors -- Series Editors' Preface -- Acknowledgements -- Introduction -- PART I INSTITUTIONAL AND CRITICAL PERSPECTIVES -- Chapter 1 Performing Research: Some Institutional Perspectives -- Chapter 2 Practising Research, Playing with Knowledge -- Chapter 3 Artistic Research and Music Scholarship: Musings and Models from a Continental European Perspective -- Chapter 4 Determination and Negotiation in Artistic Practice as Research in Music -- PART II DISCIPLINARY AND METHODOLOGICAL ISSUES -- Chapter 5 Practice-based Music Research: Lessons from a Researcher's Personal History -- Chapter 6 Following Performance across the Research Frontier -- Chapter 7 The (F)utility of Performance Analysis -- Chapter 8 Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition -- PART III SPECIFIC PROJECTS -- Chapter 9 The Role of the Musical Instrument in Performance as Research: The Piano as a Research Tool -- Chapter 10 Creating New Music for a Redesigned Instrument -- Chapter 11 Improvisations Towards an Origin: The Steel Cello and the Bow Chime -- Chapter 12 FLAT TIME/sounding -- Index
*588  $aDescription based on publisher supplied metadata and other sources.
*588  $aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
*650 0$aMusicology..
*650 0$aMusic-Performance.
*655 0$aElectronic books.
*7001 $aDoğantan-Dack, Mine
*77608$iPrint version:$aDogantan-Dack, Mine$tArtistic Practice As Research in Music: Theory, Criticism, Practice$dLondon : Taylor & Francis Group,c2016$z9781138284548
*797  $aProQuest (Firm)
*830 0$aSEMPRE Studies in the Psychology of Music Ser.
*852  $hTillgänglig inom Konstfack
*85640$uhttps://ebookcentral.proquest.com/lib/konstfack/detail.action?docID=4436643$zRead online / download
^

Artistic Practice as Research in Music: Theory, Criticism, Practice brings together internationally renowned scholars and practitioners to explore the cultural, institutional, theoretical, methodological, epistemological, ethical and practical aspects and implications of the rapidly evolving area of artistic research in music. Through various theoretical positions and case studies, and by establishing robust connections between theoretical debates and concrete examples of artistic research projects, the authors discuss the conditions under which artistic practice becomes a research activity; how practice-led research is understood in conservatoire settings; issues of assessment in relation to musical performance as research; methodological possibilities open to music practitioners entering academic environments as researchers; the role of technology in processes of musical composition as research; the role and value of performerly knowledge in music-analytical enquiry; issues in relation to live performance as a research method; artistic collaboration and improvisation as research tools; interdisciplinary concerns of the artist-researcher; and the relationship between the affordances of a musical instrument and artistic research in musical performance. Readers will come away from the book with fresh insights about the theoretical, critical and practical work being done by experts in this exciting new field of enquiry.