Konstfacks bibliotek

   
The invention of craft
Komihåglistan är tom
Vis
Hylla
  • Ih:d
Personnamn
Titel och upphov
  • The invention of craft
Utgivning, distribution etc.
  • Bloomsbury Visual Arts, London ; New York : [2018] ©2013
Utgivningsår
  • 2018
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • xxv, 243 pages, [16] pages of color plates illustrations (some color) 25 cm
Anmärkning: Allmän
  • Originally published: London: Bloomsbury, 2013.
  • Published in association with the Victoria and Albert Museum, London.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehåll
  • Manipulation -- Mystery -- Mechanical -- Memory.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • "Glenn Adamson's last book, Thinking Through Craft, offered an influential account of craft's position within modern and contemporary art. Now, in his engaging sequel, The Invention of Craft, his theoretical discussion of skilled work is extended back in time and across numerous disciplines. Adamson searches out the origins of modern craft, locating its emergence in the period of the industrial revolution. He demonstrates how craft was invented as industry's "other", a necessary counterpart to ideas of progress and upheaval. In the process, the magical and secretive culture of artisans was gradually dominated through division and explication. This left craft with an oppositional stance, a traditional or anti-modern position. The Invention of Craft ranges widely across media, from lock-making, wood-carving and iron-casting to fashion, architecture and design. It also moves back and forth between periods, from the 18th century to the present day, demonstrating how contemporary practice can be informed through the study of modern craft in its moment of invention"-- Provided by publisher.
Term
Institutionsnamn
ISBN
  • 9781350088092
  • 1350088099
Antal i kö:
  • 0 (0)
*000     cam a        i 4500
*00148131
*00520200617104456.0
*008200617r20182013enkaf||||b||||001 0|eng|d
*020  $a9781350088092$q(paperback)
*020  $a1350088099$q(paperback)
*035  $a(OCoLC)on1065123051
*035  $a(SE-LIBR)p1fzs1w8m4bfzczv
*041  $aeng
*050 4$aTT15$b.A33 2018
*08204$a745.509$223
*084  $aIh:d$2kssb/8
*1001 $aAdamson, Glenn$4aut
*24514$aThe invention of craft /$cGlenn Adamson.
*264 1$aLondon ;$aNew York :$bBloomsbury Visual Arts,$c[2018]
*264 4$c©2013
*300  $axxv, 243 pages, [16] pages of color plates$billustrations (some color)$c25 cm
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*500  $aOriginally published: London: Bloomsbury, 2013.
*500  $aPublished in association with the Victoria and Albert Museum, London.
*504  $aIncludes bibliographical references and index.
*5058 $aManipulation -- Mystery -- Mechanical -- Memory.
*520  $a"Glenn Adamson's last book, Thinking Through Craft, offered an influential account of craft's position within modern and contemporary art. Now, in his engaging sequel, The Invention of Craft, his theoretical discussion of skilled work is extended back in time and across numerous disciplines. Adamson searches out the origins of modern craft, locating its emergence in the period of the industrial revolution. He demonstrates how craft was invented as industry's "other", a necessary counterpart to ideas of progress and upheaval. In the process, the magical and secretive culture of artisans was gradually dominated through division and explication. This left craft with an oppositional stance, a traditional or anti-modern position. The Invention of Craft ranges widely across media, from lock-making, wood-carving and iron-casting to fashion, architecture and design. It also moves back and forth between periods, from the 18th century to the present day, demonstrating how contemporary practice can be informed through the study of modern craft in its moment of invention"--$cProvided by publisher.
*650 7$aKonsthantverk$0https://id.kb.se/term/sao/Konsthantverk$2sao
*650 0$aHandicraft$xHistory.
*650 0$aIndustrial arts$xHistory.
*650 0$aWorkmanship$xHistory.
*650 7$aHandicraft.$2fast
*650 7$aIndustrial arts.$2fast
*650 7$aWorkmanship.$2fast
*650 0$aDecorative arts
*655 7$aHistory.$2fast
*7102 $aVictoria and Albert Museum.
*852  $5Ko$bKo$hIh:d
*887  $a{"@id":"p1fzs1w8m4bfzczv","modified":"2020-06-17T10:44:56.56+02:00","checksum":"177302752762"}$2librisxl
*887  $5Ko$a{"@id":"x8n61bnjvwxs4fkm","modified":"2020-06-17T10:44:10.232+02:00","checksum":"173071127946"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här för att vara den första som skriver ett omdöme.

Glenn Adamson's last book, Thinking Through Craft , offered an influential account of craft's position within modern and contemporary art. Now, in his engaging sequel, The Invention of Craft, his theoretical discussion of skilled work is extended back in time and across numerous disciplines.Adamson searches out the origins of modern craft, locating its emergence in the period of the industrial revolution. He demonstrates how craft was invented as industry's "other", a necessary counterpart to ideas of progress and upheaval. In the process, the magical and secretive culture of artisans was gradually dominated through division and explication. This left craft with an oppositional stance, a traditional or anti-modern position. The Invention of Craft ranges widely across media, from lock-making, wood-carving and iron-casting to fashion, architecture and design. It also moves back and forth between periods, from the 18th century to the present day, demonstrating how contemporary practice can be informed through the study of modern craft in its moment of invention.

Sänd till
Ex.namnStatusFörfallodagTillhörPlatsHylla
Ex1Tillgängligt Konstfacks bibliotekMagasinIh