Konstfacks bibliotek

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*020  $a9781780672076
*035  $a(MiAaPQ)1876138
*035  $a(Au-PeEL)1876138
*035  $a(CaPaEBR)10817849
*035  $a(CaONFJC)MIL664332
*035  $a(OCoLC)881847242
*035  $a(MiAaPQ)EBC1876138
*050 4$aNK2110 -- .B76 2012eb
*08200$a192
*1001 $aBrown, Rachael.
*24510$aMaterials and Interior Design
*250  $a1
*264 1$aLondon$bLaurence King Publishing$c2012
*264 4$c©2012
*300  $a1 online resource (276 pages)
*336  $atext$btxt$2rdacontent
*337  $acomputer$bc$2rdamedia
*338  $aonline resource$bcr$2rdacarrier
*4901 $aPortfolio Skills
*5050 $aIntro -- Halftitle -- Copyright -- Title Page -- Contents -- Introduction -- Part 1: Historical Context of Materials and Interior Design -- 1. The Industrial Age: Design movements and their materials -- 2. The evolution of materials -- 3. The historical influence of the environmental agenda and its impact on materials -- 4. The twenty-first century -- Part II: Selection -- 5. The brief and client -- Visual identity -- Cost, quality, and program -- 6. The site -- Existing buildings -- Step by Step: Recording materials in an existing building -- Step by Step: Making a sensory reading of a site -- New buildings, proposed buildings, buildings under construction -- Temporary sites -- Context -- 7. The concept -- Step by Step: Surface to form -- Step by Step: Combining materials -- Part III: Application -- 8. Material properties -- Functional properties -- Relative properties -- Sensory properties -- Sight -- Step by Step: Understanding color -- Touch -- Smell and taste -- Hearing -- Environmental properties -- Be informed -- Be responsible -- Be creative -- Subjective properties -- Personal readings -- Socially or politically constructed readings -- Cultural readings -- The maker's reading -- 9. Material detail -- Step by Step: Repeat components -- Step by Step: Recording joints and junctions -- Step by Step: Visiting an exemplar building -- Part IV: Communicating from Concept to Completion -- 10. Thinking and communicating through drawing -- 11. Concept stage -- Thinking "through the material" -- Thinking "through the sketch" -- The sketchbook -- Freehand sketches and "drawings" -- Step by Step: Representing material atmospheres -- Step by Step: Representing existing materials -- Sketch models and conceptual models -- Materials vocabulary -- "Spirit of place" samples objects -- Precedent images -- 12. Design development -- Drawings and models
*5058 $aComputer-aided design (CAD) drawings -- Sample boards and material products -- Step by Step: Presenting material samples -- 13. Detail and construction stage -- Detail and working drawings -- Drawing conventions -- Written representation and description -- Prototypes -- Post-construction and occupation -- Part V: Material Classifications, Processes, and Sources -- 14. Material classifi cations -- Polymers -- Metals -- Wood and other organic fi bers -- Ceramics and glass -- Stone and slate -- Animal products -- Composites -- New and emerging materials and processes -- Materials development -- Materials processing -- 15. Material sources and resources -- Practice libraries (private) -- University/institutional libraries (semiprivate or public) -- Materials databases -- Trade fairs, exhibitions, manufacturers' showrooms -- Part VI: Case Studies -- Case study 1. Atmosphere: Beijing Noodle Bar, Design Spirits Co. Ltd -- Case study 2. Brand identity: Projects for Levi Strauss, Jump Studios -- Case study 3. Narratives: Collaborative interiors, Tracey Neuls -- Case study 4. Pattern and surface: Installations, Gunilla Klingberg -- Case study 5. Creating space: softwall + softblock modular system, molo design, ltd -- Case study 6. A material response to site: Concept for an installation, Alex Hoare -- Case study 7. Sustainable exhibition design: "Atmosphere", Casson Mann -- Case study 8. Material detail and construction I: Pink Bar, Jakob + MacFarlane -- Case study 9. Material detail and construction II: Republic of Fritz Hansen, BDP and TinTab -- Conclusion -- Glossary -- Further reading -- Index -- Picture credits -- Acknowledgments
*520  $aThe choice of materials is critical to the success of an interior. This book examines every aspect of the the use of materials in interior design, from initial concept and selection to visual representation and practical application. Following a brief introduction, the first five sections offer historical context and detailed guidance on selection, application, representation, communication, and sources, while the sixth and final section features case studies by international interior designers. The book includes useful step-by-step sequences, information on properties and sustainability, and a list of resources, online archives, and sample libraries. It is an invaluable practical and inspirational guide for interior design students.
*588  $aDescription based on publisher supplied metadata and other sources.
*588  $aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
*650 0$aInterior decoration.
*650 0$aBuilding materials.
*655 0$aElectronic books.
*7001 $aFarrelly, Lorraine.
*77608$iPrint version:$aBrown, Rachael$tMaterials and Interior Design$dLondon : Laurence King Publishing,c2012$z9781856697590
*797  $aProQuest (Firm)
*830 0$aPortfolio Skills
*852  $hTillgänglig inom Konstfack
*85640$uhttps://ebookcentral.proquest.com/lib/konstfack/detail.action?docID=1876138$zRead online / download
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The choice of materials is critical to the success of an interior. This book examines every aspect of the the use of materials in interior design, from initial concept and selection to visual representation and practical application. Following a brief introduction, the first five sections offer historical context and detailed guidance on selection, application, representation, communication, and sources, while the sixth and final section features case studies by international interior designers. The book includes useful step-by-step sequences, information on properties and sustainability, and a list of resources, online archives, and sample libraries. It is an invaluable practical and inspirational guide for interior design students.