Hylla
Titel och upphov Brush & shutter : early photography in China
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Utgivning, distribution etc. Getty Research Institute, Los Angeles, Calif. ©2011
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xi, 196 pages illustrations (some color) 28 x 29 cm
Anmärkning: Allmän Accompanies an exhibition held at the J. Paul Getty Museum, 8 Feb.-1 May 2011.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll Introduction : Reading early photographs of China / Wu Hung -- The history of the camera obscura and early photography in China / Edwin K. Lai -- Through a foreign glass : the art and science of photography in Late Qing China / Jeffrey W. Cody, Inventing a "Chinese" portrait style in early photography : the case of Milton Miller / Wu Hung -- Chinese as subject : photographic genres in the nineteenth century / Sarah E. Fraser -- Beyond the frame : the camera in Republican Shanghai and wartime Chongqing / Wen-hsin Yeh -- Plates -- List of objects in the exhibition / Shi Chen.
Anmärkning: Innehållsbeskrivning, sammanfattning Uncovered here is a captivating visual history of China during photography's first century. Chinese export painters learned and adapted the medium of photography by grafting the new technology onto traditional artistic conventions - employing both brush and shutter. The essays in this volume shed light on the birth of a medium.
Term
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Elektronisk adress och åtkomst (URI) http://catdir.loc.gov/catdir/enhancements/fy1114/2010039244-b.html http://catdir.loc.gov/catdir/enhancements/fy1114/2010039244-d.html
ISBN
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Photography was introduced to China in the 1840s through the West's engagement in the Opium Wars and the subsequent reforms of Chinese statesmen. As a result, traditional modes of expression were dramatically transformed. Uncovered here is a captivating visual history of China during photography's first century, from the late Qing period to Republican Shanghai and wartime Chongqing. Chinese export painters learned and adapted the medium of photography by grafting the new technology onto traditional artistic conventions--employing both brush and shutter. Ultimately, both Chinese and Western photographers were witnesses to and agents of dynamic cultural change.
The essays in this volume shed new light on the birth of a medium. Jeffrey Cody and Frances Terpak, together with Edwin Lai, discuss the medium's evolution, commercialization, and dissemination; Wu Hung examines the invention of a portrait style through the lens of Milton Miller; Sarah Fraser investigates how this style shaped China's national image; and Wen-hsin Yeh addresses the camera's role in Republican Shanghai and wartime Chongqing. The catalogue accompanies an exhibition of the same name at the J. Paul Getty Museum from February 8 to May 1, 2011.