Hylla
Titel och upphov Stitching the self : identity and the needle arts
Utgivning, distribution etc. Bloomsbury Visual Arts, London, UK ; New York, NY, USA : 2020
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xv, 227 pages, 8 unnumbered pages of plates illustrations (black and white, and colour) 24 cm
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities - social, political, and often non-conformist - are crafted. Bringing together the work of ten art and craft historians, this illustrated collection focuses on the interplay between craft and artistry, amateurism and professionalism, and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group, it reveals how needlework is a transformative process - one which is used to express political ideas, forge professional relationships, and document shifting identities. With a range of methodological approaches, including object-based, feminist, and historical analyses, Stitching the Self examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world, the book recognizes the needle as a powerful tool in the fight for self-expression.
Term
ISBN
Antal i kö:
*000 cam a i 4500
*00147945
*00520200214135836.0
*008200214s2020 enkaf||||b||||001 0|eng|d
*015 $aGBB9H9691$2bnb
*0167 $a019600214$2Uk
*020 $a9781350070387$q(hbk.)
*020 $a1350070386
*035 $a(OCoLC)on1127085418
*035 $a(SE-LIBR)frn08s98cb8fmh1q
*040 $aLux$beng$cUKMGB$dBDX$dERASA$dOCLCF$dOCLCO$dYDX$ei$erda
*041 $aeng
*050 4$aNK8806$b.S75 2020
*08204$a746.4$223
*084 $aQcca$2kssb/8 (machine generated)
*24510$aStitching the self :$bidentity and the needle arts /$cedited by Johanna Amos and Lisa Binkley.
*264 1$aLondon, UK ;$aNew York, NY, USA :$bBloomsbury Visual Arts,$c2020
*300 $axv, 227 pages, 8 unnumbered pages of plates$billustrations (black and white, and colour)$c24 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*340 $b24 cm
*504 $aIncludes bibliographical references and index.
*5208 $aThe needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities - social, political, and often non-conformist - are crafted. Bringing together the work of ten art and craft historians, this illustrated collection focuses on the interplay between craft and artistry, amateurism and professionalism, and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group, it reveals how needlework is a transformative process - one which is used to express political ideas, forge professional relationships, and document shifting identities. With a range of methodological approaches, including object-based, feminist, and historical analyses, Stitching the Self examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world, the book recognizes the needle as a powerful tool in the fight for self-expression.
*599 $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
*650 0$aExpression in art.
*650 0$aNeedlework$xHistory.
*650 0$aNeedlework$xSocial aspects.
*650 7$aExpression in art.$2fast
*650 7$aNeedlework.$2fast
*650 7$aHandarbete$xhistoria$2sao
*650 7$aHandarbete$xsociala aspekter$2sao
*655 7$aHistory.$2fast
*7001 $aAmos, Johanna$4edt
*7001 $aBinkley, Lisa$4edt
*841 $5Ko$ax a$b200513||0000|||||000||||||000000$eu
*852 $5Ko$bKo$cTEXTIL -$hIhcd
*887 $a{"@id":"frn08s98cb8fmh1q","modified":"2020-02-14T13:58:36.703+01:00","checksum":"175422232709"}$2librisxl
*887 $5Ko$a{"@id":"5hr9mk5c3hkpnfxl","modified":"2020-05-13T16:12:20.048+02:00","checksum":"90740080966"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
The needle arts are traditionally associated with the decorative, domestic, and feminine. Stitching the Self sets out to expand this narrow view, demonstrating how needlework has emerged as an art form through which both objects and identities - social, political, and often non-conformist - are crafted.Bringing together the work of ten art and craft historians, this illustrated collection focuses on the interplay between craft and artistry, amateurism and professionalism, and re-evaluates ideas of gendered production between 1850 and the present. From quilting in settler Canada to the embroidery of suffragist banners and the needlework of the Bloomsbury Group, it reveals how needlework is a transformative process - one which is used to express political ideas, forge professional relationships, and document shifting identities.With a range of methodological approaches, including object-based, feminist, and historical analyses, Stitching the Self examines individual and communal involvement in a range of textile practices. Exploring how stitching shapes both self and world, the book recognizes the needle as a powerful tool in the fight for self-expression.