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Lenore Tawney : mirror of the universe
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  • TEXTIL - Ihcz Tawney, Lenore
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  • Lenore Tawney : mirror of the universe
Utgivning, distribution etc.
  • The University of Chicago Press, Chicago : [2019] ©2019
Utgivningsår
  • 2019
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 303 pages illustrations (chiefly color) 29 x 26 cm
Anmärkning: Allmän
  • ?"This catalogue is published on the occasion of 'In Poetry and Silence: The Work and Studio of Lenore Tawney, ' presented October 5, 2019, to March 7, 2020, as part of 'Lenore Tawney: Mirror of the Universe, ' a series of four exhibitions exploring Lenore Tawney's life, work, and influence, at the John Michael Kohler Arts Center"--Colophon.
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ISBN
  • 9780226664835
Antal i kö:
  • 0 (0)
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Recent years have seen an enormous surge of interest in fiber arts, with works made of thread on display in art museums around the world. But this art form only began to transcend its origins as a humble craft in the late nineteenth and early twentieth centuries, and it wasn't until the 1950s and 1960s that artists used the fiber arts to build critical practices that challenged the definitions of painting, drawing, and sculpture. One of those artists was Lenore Tawney (1907-2007).



Raised and trained in Chicago before she moved to New York, Tawney had a storied career. She was known for employing an ancient Peruvian gauze weave technique to create a painterly effect that appeared to float in space rather than cling to the wall, as well as for being one of the first artists to blend sculptural techniques with weaving practices and, in the process, pioneered a new direction in fiber art. Despite her prominence on the New York art scene, however, she has only recently begun to receive her due from the greater art world. Accompanying a retrospective at the John Michael Kohler Arts Center, this catalog features a comprehensive biography of Tawney, additional essays on her work, and two hundred full-color illustrations, making it of interest to contemporary artists, art historians, and the growing audience for fiber art.



Copublished with the John Michael Kohler Arts Center.

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