Location
Title Statement Agnes Denes : absolutes and intermediates
Varying Form of Title Absolutes and intermediates
Publication, Distribution, etc. (Imprint) The Shed, New York, New York : 2019
Distributed by Artbook D. A. P. New York, New York :
die Keure. Belgium :
©2019
Physical Description 383 pages illustrations (some color), plans, photographs, portraits 31 cm, in case 31 x 24 1 booklet (11 pages ; 30 cm)
General Note Catalog of an exhibition held The Shed, October 9, 2019-January 19, 2020.
Bibliography, etc. Note Includes bibliographical references and index.
Formatted Contents Note Director's Foreword -- Holding the Universe in the Palm of Your Hand / Hans Ulrich Obrist with Agnes Denes -- Agnes Denes: A Future Yet to Be Realized / Emma Enderby Philosophical Drawings -- Agnes Dene's Visual Philosophy / Klaus Ottmann Dust -- Mathematics in the Art of Agnes Denes / Lynn Gamwell Pyramids & Future City -- Agnes Denes in the 1970s: Toward the Hologram / Giampaolo Bianconi Body Prints -- There Are No Maps of the World / Timothy Morton Isometric Systems -- Agnes Denes: Promethea of Paradox / Lucy R. Lippard Sculptures -- Wheatfields and the Anthropogenic Image Bind / Caroline A. Jones Kingdom Series & Seeds -- There Are Over Sixteen Thousand People in the Drawing: A Poetic Response to the Work of Agnes Denes / Renee Gladman Public Works -- Quotes on the Work of Agnes Denes and Quotes from Agnes Denes / Selected by Dan Mills Unrealized On Agnes.
Summary, etc Agnes Denes: Absolutes and Intermediates' accompanies the largest exhibition of the artist's work in New York to date, held at The Shed in fall 2019 as part of the arts space's opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed "the queen of land art" by the New York Times, famed for her iconic Wheatfield A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers. A major undertaking, this superb catalog includes a comprehensive text by the exhibition's curator, Emma Enderby, an interview with Denes by Hans Ulrich Obrist, essays by prominent scholars and curators including Caroline A. Jones, Lucy R. Lippard and Timothy Morton that examine Denes' multifaceted practice in new ways, writings by the artist and reflections by curators who have worked with Denes over the course of her career. New works by Denes commissioned by The Shed for the exhibition are presented in a special insert.
Language Note
Subject - Personal Name
Subject - Topical Term
Added Entry - Corporate Name
Added Entry - Hierarchical Place Name United State New York (State) New York.
ISBN
Waiting
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"Agnes Denes, the queen of land art, made one of New York's greatest public art projects ever in 1982. Now, the world might be catching up with her." -Karrie Jacobs, New York Times
Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist's work in New York to date, held at The Shed in fall 2019 as part of the arts space's opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed "the queen of land art" by the New York Times , famed for her iconic Wheatfield--A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan on the Battery Park Landfill, in the shadow of the then recently erected Twin Towers.
A major undertaking, this superb catalog includes a comprehensive text by the exhibition's curator, Emma Enderby, an interview with Denes by Hans Ulrich Obrist, essays by prominent scholars and curators including Caroline A. Jones, Lucy R. Lippard and Timothy Morton that examine Denes' multifaceted practice in new ways, writings by the artist and reflections by curators who have worked with Denes over the course of her career. New works by Denes commissioned by The Shed for the exhibition are presented in a special insert.
Budapest-born, New York-based artist Agnes Denes (born 1931) rose to international attention in the 1960s and 1970s as a leading figure in conceptual, environmental and ecological art. A pioneer of several art genres, she has created work in many mediums, utilizing various disciplines--such as science, philosophy, linguistics, ecology and psychology--to analyze, document and ultimately aid humanity.