Konstfacks bibliotek

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*020  $a9781606066294$q(hardcover)
*020  $a1606066293
*020  $a184976686X$q(hardback)
*020  $a9781849766869$q(hardback)
*035  $a(OCoLC)on1091845548
*035  $a(SE-LIBR)bnh1mmgf8smxpnkt
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*05000$aN6853.M118$bA4 2019
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*1300 $aDora Maar (2019).$lEnglish.
*24510$aDora Maar /$cedited by Damarice Amao, Amanda Maddox, and Karolina Ziebinska-Lewandowska ; with contributions by Dawn Ades, Alix Agret, Patrice Allain, Victoria Combalía, Emma Lewis, Laurence Perrigault, Abigail Solomon-Godeau, Ian Walker.
*264 1$aLos Angeles :$bThe J. Paul Getty Museum,$c[2019]
*264 4$c©2019
*300  $a208 pages$billustrations (colour, and black and white)$c30 cm
*336  $atext$btxt$2rdacontent
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*340  $b30 cm
*500  $aCatalog of an exhibition held at Tate Modern, London, from November 19, 2019-March 15, 2020, and at the J. Paul Getty Museum, Los Angeles, from April 21-July 26, 2020. The exhibition was originally presented at Centre Pompidou, Paris, from June 5-July 29, 2019.
*500  $aFirst published in France.
*504  $aIncludes bibliographical references and index.
*5058 $aON ASSIGNMENT. What's in a Name : The Invention of Dora Maar / Amanda Maddox -- The Audacity of Erotic Gazes / Alix Agret -- THE CONCERNED PHOTOGRAPHER. "Dora of the Varied, Ever Beautiful, Faces" / Patrice Allain and Laurence Perrigault -- Dora Maar, Street Photographer : Barcelona and London / Victoria Combalía -- FOUND SURREALISM. Chance Encounters and the "Modern Marvelous" / Dawn Ades. CONSTRUCTED SURREALISM. "The Imaginary Is What Tends to Become Real" : The Photomontage Period / Karolina Ziebinska-Lewandowska -- Ubu in London : Between Surrealism and Documentary / Ian Walker -- Bande à Part : Jacqueline Lamba, Dora Maar, and the Surrealist Women's Network / Abigail Solomon-Godeau -- DIALOGUE WITH PICASSO. In the Darkroom and the Studio : Dora Maar and Picasso / Emma Lewis -- RETURN AND REINVENTION. "Obligatory Painting" / Damarice Amao.
*520  $a"Examines the work of artist and photographer Dora Maar (1907-1997), who was active at the height of Surrealism in France, highlighting her contributions in the areas of commercial and fashion photography, her interest in socially concerned photography, and her late work from a relatively reclusive phase of her career"--$cProvided by publisher.
*60010$aMaar, Dora$vExhibitions.
*60017$aMaar, Dora.$2fast
*60017$aMaar, Dora,$d1907-1997$2gnd
*655 7$aExhibition catalogs.$2fast
*70012$iContainer of (work):$aMaar, Dora.$tWorks.$kSelections.
*7001 $aAmao, Damarice$4edt
*7001 $aMaddox, Amanda$4edt
*7001 $aLewandowska, Karolina$eeditor.$4edt
*7001 $aAdes, Dawn$4ctb
*7102 $aJ. Paul Getty Museum$4his$4isb
*7102 $aTate Modern (Gallery)$4his
*7102 $aCentre Georges Pompidou$4his
*852  $5Ko$bKo$cFOTOGRAFI -$hInz Maar, Dora
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^

For the first time, a comprehensive exploration of Dora Maar's enigmatic photography reveals her as an extraordinary and influential artist in her own right.



Dora Maar (born Henriette Théodora Markovitch, 1907-1997) was active at the height of Surrealism in France. She was recognized as a key member of the movement and maintained professional relationships with many of its prominent figures, such as André Breton, Brassaï, Henri Cartier-Bresson, and Man Ray. However, her standing as the one-time muse and mistress of Pablo Picasso--his famous "Weeping Woman"-- has long eclipsed her creative output and minimized her influence.



Richly illustrated with 240 key works showcasing Maar's inimitable acumen as a photographer, this book examines the full arc of her career for the very first time. Subjects include her innovative commercial and fashion photography, approach to the nude and eroticism, engagement with political groups, interest in socially concerned photography, affiliation with the Surrealist movement, and hitherto unknown work from her reclusive late career, providing a dynamic and multifaceted examination of an important artist.



This volume is published to accompany an exhibition on view at the Centre Pompidou Paris, France June 5 to July 29, 2019; the Tate Modern London, United Kingdom November 19, 2019, to March 15, 2020; and the J. Paul Getty Museum at the Getty Center April 21 to July 26, 2020.