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Titel och upphov Art workers : radical practice in the Vietnam War era
Utgivning, distribution etc. Berkeley, Calif. University of California Press, 2010.
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Fysisk beskrivning ix, 282 p. ill. (some col.) 26 cm.
Anmärkning: Allmän Originally published: 2009. Published with the assistance of The Getty Foundation. A project of the Creative Capital/Warhol Foundation Art s Writers Grant program. Title from cover.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning During the late 1960s and early 1970s, an important group of American art ists and critics sought to expand the definition of creative labour by identifying themselves as 'art workers'. This book shows how a polemical redefinition of art istic labour played a central role in minimalism, feminist criticism, and conceptualism.
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During the late 1960s and early 1970s, in response to the political turbulence generated by the Vietnam War, an important group of American artists and critics sought to expand the definition of creative labor by identifying themselves as _art workers._ In the first book to examine this movement, Julia Bryan-Wilson shows how a polemical redefinition of artistic labor played a central role in minimalism, process art, feminist criticism, and conceptualism. In her close examination of four seminal figures of the period_American artists Carl Andre, Robert Morris, and Hans Haacke, and art critic Lucy Lippard_Bryan-Wilson frames an engrossing new argument around the double entendre that _art works._ She traces the divergent ways in which these four artists and writers rallied around the _art worker_ identity, including participating in the Art Workers' Coalition_a short-lived organization founded in 1969 to protest the war and agitate for artists' rights_and the New York Art Strike. By connecting social art history and theories of labor, this book illuminates the artworks and protest actions that were central to this pivotal era in both American art and politics.
Acknowledgments p. vii Introduction p. 1 From Artists to Art Workers p. 13 Carl Andre's Work Ethic p. 41 Robert Morris's Art Strike p. 83 Lucy Lippard's Feminist Labor p. 127 Hans Haacke's Paperwork p. 173 Epilogue p. 215 Notes p. 223 List of Illustrations p. 265 Index p. 269