Location
Title Statement Reuse value : spolia and appropriation in art and architecture from Constantine to Sherrie Levine
Varying Form of Title Spolia and appropriation in art and architecture, from Constantine to Sherrie Levine
Publication, Distribution, etc. (Imprint) London ; New York : Routledge, 2016
©2011
Dewey Decimal Classification Number
SAB Classification Code
Physical Description xiii, 268 pages illustrations 24 cm
General Note "An Ashgate Book"--Cover.
Bibliography, etc. Note Includes bibliographical references and index.
Formatted Contents Note Introduction / Dale Kinney -- On the reuse of antiquity : the perspectives of the archaeologist and of the historian / Arnold Esch -- Reading spolia in late antiquity and contemporary perception / Paolo Liverani -- The use of older elements in the architecture of fourth-and fifth-century Rome : a contribution to the evaluation of spolia / Hugo Brandenburg -- Spolia : a definition in ruins / Michael Greenhalgh -- Ancient gems in the Middle Ages : riches and ready-mades / Dale Kinney -- Appropriation as inscription : making history in the first Friday Mosque of Delhi Finbarr / Barry Flood -- Renaissance spolia and Renaissance antiquity (one neighborhood, three cases) / Michael Koortbojian -- Authenticity and alienation / Richard Brilliant -- The building's body : spolia as supplement, substitution, destruction / Annabel J. Wharton -- A medieval monument and its modern myths of iconoclasm : the enduring contestations over the Qutb Complex in Delhi / Mrinalini Rajagopalan -- Spolia in contemporary architecture : searching for ornament and place / Hans-Rudolf Meier -- Some thoughts about the significance of postmodern appropriation art / Donald Kuspit -- Epilogue / Richard Brilliant.
Subject - Topical Term
Additional Physical Form Entry ebook version : ISBN 9781317063780
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This book offers a range of views on spolia and appropriation in art and architecture from fourth-century Rome to the late twentieth century. Using case studies from different historical moments and cultures, contributors test the limits of spolia as a critical category and seek to define its specific character in relation to other forms of artistic appropriation. Several authors explore the ethical issues raised by spoliation and their implications for the evaluation and interpretation of new work made with spolia. The contemporary fascination with spolia is part of a larger cultural preoccupation with reuse, recycling, appropriation and re-presentation in the Western world. All of these practices speak to a desire to make use of pre-existing artifacts (objects, images, expressions) for contemporary purposes. Several essays in this volume focus on the distinction between spolia and other forms of reused objects. While some authors prefer to elide such distinctions, others insist that spolia entail some form of taking, often violent, and a diminution of the source from which they are removed. The book opens with an essay by the scholar most responsible for the popularity of spolia studies in the later twentieth century, Arnold Esch, whose seminal article 'Spolien' was published in 1969. Subsequent essays treat late Roman antiquity, the Eastern Mediterranean and the Western Middle Ages, medieval and modern attitudes to spolia in Southern Asia, the Italian Renaissance, the European Enlightenment, modern America, and contemporary architecture and visual culture.