Konstfacks bibliotek

*00000744nam a22002413  45
*0014684
*00520131028165403.0
*007|||||||||||||||||||||||
*008110824s1986           | ab  |||  ||eng||
*020  $a0893812110
*035  $a(Ko)5092
*084  $aInb-oec
*1001 $aHolborn, Mark
*24510$aBlack sun :$bthe eyes of four : roots and innovation in Japanese photography  /$cby Mark Holborn
*260  $aNew York ;$aPhiladelphia  :$bAperture$bPhiladelphia Museum of Art ,$c1986
*300  $a80 s.  :$bill. (vissa i färg)  ; hft.
*653  $aFotokonst
*653  $aJapan
*697  $cFotokonst: Japan
*7101 $aPhiladelphia museum of art
*8520 $hFOTOGRAFI - Inb-o
*950  $aPhotography, Artistic
^

Black Sun is an unprecedented portrait of postwar Japan through the eyes of four of the nation's most significant photographers. It encompasses and connects ancient Japanese prophecies, the terror of nuclear destruction, and the results of swift and massive westernization.

Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama are widely acknowledged in Japan as masters of photography. Their work ranges from the metaphoric to the documentary, from the presentation of post-apocalyptic artifacts to portraits of crows and crowded city streets. However varied the approach, this work is unified by a sense of innovation and a persistent search for native roots.

In the accompanying text, Mark Holborn creates his own picture of Japan's creative climate, one in which audacious exploration crashes against a legacy of tradition and refinement. He provides previously undocumented links between the photographers and other leading Japanese artists of our time, such as filmmaker Nagisa Oshima, graphic designer Tadanori Yokoo, and dancer Tatsumi Hijikata.