Konstfacks bibliotek

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*24510$aInflamed invisible /$cDavid Toop.
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*650 0$aSound sculpture
*650 0$aSound installations (Art)
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A rich collection of essays tracing the relationship between art and sound. In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience- the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory- stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art.
Toop sought to document the originality and unfamiliarity of this work from his perspective as a practitioner and writer. The challenge was to do so without being drawn back into the domain of music while still acknowledging the vitality and hybridity of twentieth-century musics as they moved toward art galleries, museums, and site-specificity. Toop focused on practitioners, whose stories are as compelling as the theoretical and abstract implications of their works.
Inflamed Invisible collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an offering, an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations, layers through which objects, thoughts and air itself come alive as the inflamed invisible.

• Note to the Readerp. ix
• Introductionp. 1
• Archiving clouds of sounding dustp. 5
• Sonic Boomp. 7
• Sonic Meditations: Pauline Oliverosp. 22
• Spirits eruptions inflammationsp. 29
• Sleep music, the underworld: on hearing Áine O'Dwyer's Gallarais and the subsequent conversations between November 2016 and January 2017p. 31
• Stephen Cripps: Exploding Practice Inevitablep. 33
• The Future Is Not Always Bright: Daphne Oram and Lily Greenhamp. 42
• The Sweat of Toads: Victor Grippo and Tania Chenp. 45
• Joachim Koester: The Art of Memory and Forgettingp. 48
• Hysteria machines ghosts tremorsp. 57
• Realm of the Senses, for Camille Normentp. 59
• A Piercing Silence: James Richardsp. 65
• Gilbert & George: The Singing Sculpturep. 70
• Stick, Spit, Reed and Tubing: Writing on Seymour Wrightp. 83
• Holes traps bat caves moths flutteringp. 87
• Trap set: Haroon Mirzap. 89
• Crying: on Alvin Lucier's The Duke of York (1971)p. 99
• Soft edges flickers stitches traversalp. 101
• The Woman Seen Sweeping the Sea: Annabel Nicolson escaping noticep. 103
• Memorising wilderness: Alvin Lucierp. 108
• Mieko Shiomi, Spatial Poem No. 7 (At the time listed below listen to the sounds around you for a while)p. 111
• This is not a bee, it could be a kind of shadow: Rolf Juliusp. 112
• Ancestor voices memories distortionp. 121
• ... I listen to the wind that obliterates my traces music in vernacular photographs 1880-1955: steve rodenp. 123
• Displacing the Air; The Marfa Sessions, Christina Kubisch, Stephen Vitiello, Steve Roden, September 2008, curated by Regine Basha, Rebecca Gates and Lucy Ravenp. 128
• Apparitions in rayon: Mike Cooperp. 131
• A Cat with Strange Fur: Akio Suzukip. 135
• Two Scenes: Lav Diazp. 138
• Loré Lixenberg: Memory Mapsp. 140
• Lingering Tones: for Danny McCarthy's exhibition - Beyond Silence: A Bell Rings in an Empty Sky, Crawford Art Gallery, Cork, 2017p. 142
• Hot Tea from the Spout of a Black Pot: for O Yama Op. 144
• Kwatz graaak blap wonnnng txtsplp. 147
• Mmmmmmmm, wonnnng and won: Music and Collaboration in the Work of Nathalie Djurberg and Hans Bergp. 149
• Dsh: apophatic wu-nessp. 157
• Blatzwurds of deepwar plasma: the noise of Jeff Keenp. 160
• Raging dancing word destruction: Bob Cobbingp. 164
• Listening moving markingp. 167
• Sounds Passing Through Circumstances: Francis Alÿsp. 169
• A Ghost Travelling a Half Mile Ahead of Its Own Shape: Faulkner and Caravaggiop. 177
• Sound Thinking: Stuart Marshallp. 180
• Live at The Filmmakers Co-op: Stuart Marshallp. 184
• Nothing silence black not-black invisiblep. 187
• Less Is More; More Is More: Ryoji Ikedap. 189
• Black Is Black: Ad Reinhardtp. 199
• It Is Nothing: Picasso's Guitarsp. 206
• No boundary condition: Shirazeh Houshiaryp. 209
• Nothing Hear: John Cage & John Lathamp. 216
• Folding: Lucie Stepankovap. 228
• Clocks hearts nervous tic stuttersp. 231
• Painting in Slang: Christian Marclayp. 233
• Pink glisten for Carsten Nicolaip. 245
• Automatic Writing: Robert Ashley, Cevdet Erek, Mary Butts, Dorothy Richardsonp. 246
• Agitations surfaces decompositionp. 251
• Instruments of Non-Existence (through which Heaven and Earth Seek Reconciliation)p. 253
• Everything Is Vibrating: Hugh Daviesp. 258
• Filament Drums: the endless instrument, for Tomás Saracenop. 268
• Tania Chen plays John Cage and David Tudor - Electronic Music for Pianop. 273
• Trembling Between States: Rie Nakajimap. 277
• List of tracksp. 281
• Indexp. 288