Hylla
Personnamn
Titel och upphov Gutai : decentering modernism
Utgivning, distribution etc. Chicago : University of Chicago Press, 2011
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xiii, 231 p. ill. (some col.), map 28 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll Decentering originality -- Originality and transnational modernism in the Taishō era: Yoshihara's formative years -- Gutai strategies of originality -- Originality, individualism, and subjective autonomy -- The interpoetics of distance -- Translation: decentering Jackson Pollock -- Recontextualization: Nengajō and Gutai mail art -- Quantization: Gutai portables -- Lines of flight: the Gutai journal -- Yoshihara's postwar internationalism and the Gutai journal -- American correspondences -- European correspondences -- The politics of geography and Gutai exhibitions -- Tokyo/Ashiya/Osaka, 1955-1958 -- New York, 1958 -- Turin, 1959 -- International contemporaneity and Gutai exhibitions -- Osaka, 1962 -- Amsterdam, 1965 -- Paris, 1965 -- New directions in Gutai exhibitions -- 15th Gutai art exhibition, 1965 -- Gutai art for the space age, 1967 -- Expo '70 -- Conclusion: Gutai's decentering legacies.
Personnamn
Institutionsnamn
Term
ISBN 9780226801650 9780226801667 0226801659 0226801667
Antal i kö:
*000 cam a 7a 4500
*00146764
*00520181030230000.0
*008110725s2011 xxua|||||b||||001 0|eng|c
*010 $a2010018362
*015 $aGBB094919$2bnb
*0167 $a015623220 $2Uk
*020 $a9780226801650$qcloth : alk. paper
*020 $a9780226801667$qpbk. : alk. paper
*020 $a0226801659$qcloth : alk. paper
*020 $a0226801667$qpbk. : alk. paper
*035 $a(OCoLC)587209581
*035 $a(SE-LIBR)12273764
*040 $aICU/DLC$cDLC$dYDX$dBTCTA$dYDXCP$dUKM$dERASA$dBWX$dCDX$dSTF$dPUL$dCOO$dSINLB$dGZM$dH$dN$ea
*041 $aeng
*042 $apcc
*043 $aa-ja---
*05000$aN7355.5.G87$bT53 2011
*08200$a709.5209045$222
*084 $aIb-oec$2kssb/8
*1001 $aTiampo, Ming
*24510$aGutai :$bdecentering modernism /$cMing Tiampo.
*264 1$aChicago :$bUniversity of Chicago Press,$c2011
*300 $axiii, 231 p.$bill. (some col.), map$c28 cm.
*340 $b28 cm.
*504 $aIncludes bibliographical references and index.
*5058 $aDecentering originality -- Originality and transnational modernism in the Taishō era: Yoshihara's formative years -- Gutai strategies of originality -- Originality, individualism, and subjective autonomy -- The interpoetics of distance -- Translation: decentering Jackson Pollock -- Recontextualization: Nengajō and Gutai mail art -- Quantization: Gutai portables -- Lines of flight: the Gutai journal -- Yoshihara's postwar internationalism and the Gutai journal -- American correspondences -- European correspondences -- The politics of geography and Gutai exhibitions -- Tokyo/Ashiya/Osaka, 1955-1958 -- New York, 1958 -- Turin, 1959 -- International contemporaneity and Gutai exhibitions -- Osaka, 1962 -- Amsterdam, 1965 -- Paris, 1965 -- New directions in Gutai exhibitions -- 15th Gutai art exhibition, 1965 -- Gutai art for the space age, 1967 -- Expo '70 -- Conclusion: Gutai's decentering legacies.
*599 $aDawson
*60014$aYoshihara, Jirō,$d1905-1972
*61020$aGutai Bijutsu Kyōkai$xHistory
*650 7$aJapansk konst$y1900-talet$2sao
*650 0$aConceptual art$zJapan.
*650 0$aPerformance art$zJapan.
*650 0$aAvant-garde (Aesthetics)$zJapan$xHistory$y20th century.
*841 $5Ko$ax a$b191008||0000|||||000||||||000000$eu
*852 $5Ko$bKo$cKONST -$hIb-oec
*887 $a{"@id":"4ngh81zg49q84mw","modified":"2018-10-30T23:00:00+01:00","checksum":"113534941791"}$2librisxl
*887 $5Ko$a{"@id":"5gwg9wfz3gltcxvb","modified":"2019-10-08T14:46:57.788+02:00","checksum":"99912263874"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Gutai is the first book in English to examine Japan's best-known modern art movement, a circle of postwar artists whose avant-garde paintings, performances, and installations foreshadowed many key developments in American and European experimental art.
Working with previously unpublished photographs and archival resources, Ming Tiampo considers Gutai's pioneering transnational practice, spurred on by mid-century developments in mass media and travel that made the movement's field of reception and influence global in scope. Using these lines of transmission to claim a place for Gutai among modernist art practices while tracing the impact of Japan on art in Europe and America, Tiampo demonstrates the fundamental transnationality of modernism. Ultimately, Tiampo offers a new conceptual model for writing a global history of art, making Gutai an important and original contribution to modern art history.