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Audio-vision : sound on screen
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Location
  • FILM - Im
Main Entry - Personal Name
Title Statement
  • Audio-vision : sound on screen
Uniform Title
  • Audio-vision. English
Publication, Distribution, etc. (Imprint)
  • New York : Columbia University Press, [2019]
  • 2019
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Edition Statement
  • Second edition.
Physical Description
  • xxiii, 270 pages 24 cm
General Note
  • Translation of: L'audio-vision : son et image au cinéma.
Bibliography, etc. Note
  • Includes bibliographical references and index.
Formatted Contents Note
  • Projections of sound on image -- The three listening modes -- Lines and points: horizontal and vertical perspectives on audiovisual relations -- The audiovisual scene -- The real and the rendered -- Sound films, worthy of the name -- Toward an audio-logo-visual poetics -- An introduction to audiovisual analysis.
Summary, etc
  • "In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television"-- Provided by publisher.
Subject - Topical Term
Index Term - Uncontrolled
Additional Physical Form Entry
  • Online version: Chion, Michel, 1947- author. Audio-vision Second edition. New York : Columbia University Press, [2018] ISBN 9780231546379
ISBN
  • 9780231185882
  • 023118588X
  • 9780231185899
  • 0231185898
Waiting
  • 0 (0)
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Michel Chion's landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don't see images and hear sounds separately--we audio-view a trans-sensory whole.

In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why "audio-logo-visual" is a more accurate term than "audiovisual." Audio-Vision shows us that sound is driving the creation of a sensory cinema.

This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch.

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Ex1Recalled18.02.2021Konstfacks bibliotek FILM - Im