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Title Statement Putting rehearsals to the test : practices of rehearsal in fine arts, film, theater , theory, and politics
Publication, Distribution, etc. (Imprint) Berlin : Sternberg Press, [2016]
©2016
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Physical Description 255 pages illustrations (black and white, and colour) 22 cm.
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Although the format of the rehearsal is used across a number of disciplines--film and theater as well as fine arts--it has been scarcely considered in historical and contemporary art discourses. With this in mind, Putting Rehearsals to the Test investigates the role and function of the rehearsal as a methodology, modus operandi, medium, site of representation, and reflection on processes of artistic production. As the contributions in this book show, practices of rehearsal put those procedures--sometimes joyful, sometimes troublesome but structurally productive--into the foreground to replace given conventions and regulations with new forms and rules. Shaping working processes (the in-the-making ) and products (the making-of ) without defined aims and ends, artists, activists, and theorists working with strategies of rehearsal focus on moments of contingency, interruption, recommencement, irregular repetition, uncertainty, and failure within existing systems. Practices of rehearsal, in attempting to transform asymmetric labor divisions, appear as links between aesthetic judgment and social or institutional critique. This book is a critical and timely reappraisal of the methodologies of the rehearsal, and makes a claim for the aesthetic and political potential in the unfinished project.
Contributors Rainer Bellenbaum, Vincent Bonin, Sabeth Buchmann, Jos M. Bueso, Kathrin Busch, Stefanie Diekmann, Kai van Eikels, Stephan Geene, Richard Ibghy, Ekkehard Kn rer, Eva K nnemann, Ilse Lafer, Christine Lang, Susanne Leeb, Marilou Lemmens, Achim Lengerer, Annemarie Matzke, Jenny Nachtigall, Silke Otto-Knapp, Avital Ronell, Constanze Ruhm, Martin J rg Sch fer, Dorothea Walzer
Publication Series of the Academy of Fine Arts Vienna, vol. 19
Putting Rehearsals to the Test: Introduction p. 10 What Your Spontaneity Is Worth to Us: Improvisation between Art and Economics p. 22 Shared Production (-Values) p. 32 Passion in Work p. 46 Contingency and Plan: Working in Theater p. 58 A Heavy Compression to Bring Out the Moments of Crisis p. 72 The Rehearsal in Film: From the Focus on Results to a Space of Experience p. 82 The Rehearsal as Metaphor for Metamorphosis: The Pictorial Dramaturgy in Velázquez's The Spinners, or The Fable of Arachne p. 96 The Play's the Thing: On the Politics of Rehearsal p. 108 Re-rehearsing the Test Drive p. 120 Rehearsing Failure p. 130 Rehearsal without Performance p. 138 Upheaval in the Despot's Wake: Rehearsal and Drawing in the Work of Tamar Getter p. 152 The Common Reader p. 168 The Rehearsal as Form: An Essay on Yvonne Rainer's Lives of Performers p. 182 In Abeyance: It Is Perhaps Now Time to Leave, Once More, the Clinic ... p. 196 Our Attempt/Notre Tentative p. 212 Castingagentur: Casting as Agency p. 224 Alive Supreme: On Rehearsal as Film p. 234 Appendix Image Credits p. 244 Biographies p. 248 Acknowledgments p. 254