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^

Although the format of the rehearsal is used across a number of disciplines--film and theater as well as fine arts--it has been scarcely considered in historical and contemporary art discourses. With this in mind, Putting Rehearsals to the Test investigates the role and function of the rehearsal as a methodology, modus operandi, medium, site of representation, and reflection on processes of artistic production. As the contributions in this book show, practices of rehearsal put those procedures--sometimes joyful, sometimes troublesome but structurally productive--into the foreground to replace given conventions and regulations with new forms and rules. Shaping working processes (the in-the-making ) and products (the making-of ) without defined aims and ends, artists, activists, and theorists working with strategies of rehearsal focus on moments of contingency, interruption, recommencement, irregular repetition, uncertainty, and failure within existing systems. Practices of rehearsal, in attempting to transform asymmetric labor divisions, appear as links between aesthetic judgment and social or institutional critique. This book is a critical and timely reappraisal of the methodologies of the rehearsal, and makes a claim for the aesthetic and political potential in the unfinished project.

Contributors
Rainer Bellenbaum, Vincent Bonin, Sabeth Buchmann, Jos M. Bueso, Kathrin Busch, Stefanie Diekmann, Kai van Eikels, Stephan Geene, Richard Ibghy, Ekkehard Kn rer, Eva K nnemann, Ilse Lafer, Christine Lang, Susanne Leeb, Marilou Lemmens, Achim Lengerer, Annemarie Matzke, Jenny Nachtigall, Silke Otto-Knapp, Avital Ronell, Constanze Ruhm, Martin J rg Sch fer, Dorothea Walzer

Publication Series of the Academy of Fine Arts Vienna, vol. 19

• Putting Rehearsals to the Test: Introductionp. 10
• What Your Spontaneity Is Worth to Us: Improvisation between Art and Economicsp. 22
• Shared Production (-Values)p. 32
• Passion in Workp. 46
• Contingency and Plan: Working in Theaterp. 58
• A Heavy Compression to Bring Out the Moments of Crisisp. 72
• The Rehearsal in Film: From the Focus on Results to a Space of Experiencep. 82
• The Rehearsal as Metaphor for Metamorphosis: The Pictorial Dramaturgy in Velázquez's The Spinners, or The Fable of Arachnep. 96
• The Play's the Thing: On the Politics of Rehearsalp. 108
• Re-rehearsing the Test Drivep. 120
• Rehearsing Failurep. 130
• Rehearsal without Performancep. 138
• Upheaval in the Despot's Wake: Rehearsal and Drawing in the Work of Tamar Getterp. 152
• The Common Readerp. 168
• The Rehearsal as Form: An Essay on Yvonne Rainer's Lives of Performersp. 182
• In Abeyance: It Is Perhaps Now Time to Leave, Once More, the Clinic ...p. 196
• Our Attempt/Notre Tentativep. 212
• Castingagentur: Casting as Agencyp. 224
• Alive Supreme: On Rehearsal as Filmp. 234
• Appendix
• Image Creditsp. 244
• Biographiesp. 248
• Acknowledgmentsp. 254