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Title Statement Atmospheres : aesthetics of emotional spaces
Uniform Title
Publication, Distribution, etc. (Imprint) Farnham, Surrey : Ashgate Publishing Limited, [2014]
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
General Note Originally published as Atmosferologia : estetica degli spazi emozionali in 2010 by Gius. Laterza & Figli.
Bibliography, etc. Note Includes bibliographical references and index.
Formatted Contents Note 1. Atmospheric Perception -- 1.1. Atmospheric Segmentation? -- 1.2. Perceiving Atmospheres -- 1.3. How One Feels Here and Now in the Felt-Body -- 1.4. The First Impression -- 1.5. Atmospheres as Situational Constraints -- 1.6. Lived (Predimensional) Spaces -- 1.7.Àffordances' and Imagine-Motor Reactions -- 2. History of the Concept of Atmosphere -- 2.1. The Climatic Paradigm -- 2.2. Atmosphere and Landscape -- 2.3. Orosensory Atmosphere (and the Case of Haptics) -- 2.4 ... that C̀reates an Atmosphere' -- 2.5. The Numinous and the G̀enius Loci' -- 2.6.S̀timmung', Àmbiance', Aura -- 2.7. From Àffordances' to Emotional Design -- 2.8. And Art? From the Beautiful to the Atmospheric -- 2.9. Urban Seductions -- 2.10. The Magic of Dwelling -- 2.11. Ecstasy of Materials -- 3. Atmospherology -- 3.1. History of a S̀in': Introjection and Projection -- 3.2. Atmospheres: Not Metaphors but Quasi-things -- 3.3. Sinaesthesias -- 3.4.Àll Out': Atmospheric Ontology -- 3.5. Principles of a Phenomenology of Atmospheres.
Summary, etc Originally published in Italian in 2010, this book is the first to address the theory of atmospheres in a thorough and systematic way. It examines the role of atmospheres in daily life, and defines their main characteristics.
Language Note Translated from the Italian.
Subject - Topical Term
Additional Physical Form Entry Online Atmospheres: Aesthetics of Emotional Spaces ISBN 9781472421739
ISBN 9781472421722 1472421728 9781138247710
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*500 $aOriginally published as Atmosferologia : estetica degli spazi emozionali in 2010 by Gius. Laterza & Figli.
*504 $aIncludes bibliographical references and index.
*5058 $a1. Atmospheric Perception -- 1.1. Atmospheric Segmentation? -- 1.2. Perceiving Atmospheres -- 1.3. How One Feels Here and Now in the Felt-Body -- 1.4. The First Impression -- 1.5. Atmospheres as Situational Constraints -- 1.6. Lived (Predimensional) Spaces -- 1.7.Àffordances' and Imagine-Motor Reactions -- 2. History of the Concept of Atmosphere -- 2.1. The Climatic Paradigm -- 2.2. Atmosphere and Landscape -- 2.3. Orosensory Atmosphere (and the Case of Haptics) -- 2.4 ... that C̀reates an Atmosphere' -- 2.5. The Numinous and the G̀enius Loci' -- 2.6.S̀timmung', Àmbiance', Aura -- 2.7. From Àffordances' to Emotional Design -- 2.8. And Art? From the Beautiful to the Atmospheric -- 2.9. Urban Seductions -- 2.10. The Magic of Dwelling -- 2.11. Ecstasy of Materials -- 3. Atmospherology -- 3.1. History of a S̀in': Introjection and Projection -- 3.2. Atmospheres: Not Metaphors but Quasi-things -- 3.3. Sinaesthesias -- 3.4.Àll Out': Atmospheric Ontology -- 3.5. Principles of a Phenomenology of Atmospheres.
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*546 $aTranslated from the Italian.
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*650 0$aAesthetics, Modern.
*650 0$aEmotions (Philosophy)
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Originally published in Italian in 2010, this book is the first to address the theory of atmospheres in a thorough and systematic way. It examines the role of atmospheres in daily life, and defines their main characteristics. Outlining the typical phenomenological situations in which we experience atmospheres, it assesses their impact on contemporary aesthetics. It puts forward a philosophical approach which systematises a constellation of affects and climates, finds patterns in the emotional tones of different spaces (affordances) and assesses their impact on the felt body. It also critically discusses the spatial turn invoked by several of the social sciences, and argues that there is a need for a non-psychologistic rethinking of the philosophy of emotions. It provides a history of the term 'atmosphere' and of the concepts anticipating its meaning (genius loci, aura, Stimmung, numinous, emotional design and ambiance), and examines the main ontological characteristics of atmospheres and their principal phenomenological characteristics. It concludes by showing how atmospheres affect our emotions, our bodies' reactions, our state of mind and, as a result, our behaviour and judgments. Griffero assesses how atmospheres are more effective than we have been rationally willing to admit, and to what extent traditional aesthetics, unilaterally oriented towards art, has underestimated this truth.