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Ruth Asawa
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  • KONST - Ibz Asawa, Ruth
Title Statement
  • Ruth Asawa
Publication, Distribution, etc. (Imprint)
  • New York, New York : David Zwirner Books, [2018] New York, New York : ARTBOOK/D.A.P.
  • 2018
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • 199 pages illustrations (chiefly color), portraits, facsimiles 34 cm
General Note
  • Catalog of the exhibition held at David Zwirner, New York, September 13-October 21, 2017.
Formatted Contents Note
  • Foreword / Jonathan Laib -- Ruth Asawa: working from nothing / Tiffany Bell -- Plates -- Ruth Asawa: sketches of the cosmos / Robert Storr -- Chronology / Emily K. Doman Jennings with Jaime Schwartz -- List of works.
Summary, etc
  • "David Zwirner is pleased to announce the gallery's first exhibition dedicated to the work of Ruth Asawa since having announced the representation of the artist's estate earlier this year, which will take place at the 537 West 20th Street location. The exhibition will bring together a selection of key sculptures, paintings, and works on paper spanning Asawa's influential practice, as well as rare archival materials, including a group of vintage photographs of the artist and her work by Imogen Cunningham." --David Swirner.
Subject - Personal Name
Subject - Chronological Term
  • 1900-1999
Subject - Topical Term
Subject - Geographic Name
Added Entry - Corporate Name
Added Entry - Hierarchical Place Name
  • United States New York (State) New York.
ISBN
  • 194170168X
  • 9781941701683
Waiting
  • 0 (0)
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Known for her extensive body of intricate and dynamic wire sculptures, American sculptor, educator, and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency.

Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers's legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground.

Presenting an important and timely overview of the artist's work, this monograph brings together a broad selection of her sculptures, works on paper, and more. Together the body of work demonstrates the centrality of Asawa's innovative practice to the art-historical legacy of the twentieth century. In addition to an incredible group of photographs of the artist and her work by Imogen Cunningham, a selection of rare archival materials will illustrate a chronology of the artist's life and work. Featuring an extensive text by Tiffany Bell which explores the artist's influences, history, and, most importantly, the work itself, as well as a significant essay by Robert Storr discussing Asawa's work in relation to mid-twentieth century art history, culture, and scientific theory.

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