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Utgivning, distribution etc. New York : Bloomsbury Academic, Bloomsbury Publishing Inc, 2019
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xiii, 190 pages illustrations (black and white) 24 cm
Anmärkning: Allmän Revised version of: Sound art : beyond music, between categories, published by Rizzoli, 2007.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll Prehistories and early manifestations -- Sound and the art world -- Recent sound art.
Anmärkning: Innehållsbeskrivning, sammanfattning The first edition of Sound Art Revisited (published as Sound Art: Beyond Music, Between Categories) served as a groundbreaking work toward defining this emerging field, and this fully updated volume significantly expands the story to include current research since the book's initial release. Viewed through a lens of music and art histories rather than philosophical theory, it covers dozens of artists and works not found in any other book on the subject. 0Locating sound art's roots across the centuries from spatialized church music to the technological developments of radio, sound recording, and the telephone, the book traces the evolution of sound installations and sound sculpture, the rise of sound art exhibitions and galleries, and finally looks at the critical cross-pollination that marks some of the most important and challenging art with and about sound being produced today.
Kronologisk term
Term
Annat medium Online version: Licht, Alan, author. Sound art revisited New York : Bloomsbury Academic, Bloomsbury Publishing Inc, 2019 ISBN 9781501333149
ISBN 9781501333132 1501333135 9781501333774 1501333771
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The first edition of Sound Art Revisited (published as Sound Art: Beyond Music, Between Categories ) served as a groundbreaking work toward defining this emerging field, and this fully updated volume significantly expands the story to include current research since the book's initial release. Viewed through a lens of music and art histories rather than philosophical theory, it covers dozens of artists and works not found in any other book on the subject. Locating sound art's roots across the centuries from spatialized church music to the technological developments of radio, sound recording, and the telephone, the book traces the evolution of sound installations and sound sculpture, the rise of sound art exhibitions and galleries, and finally looks at the critical cross-pollination that marks some of the most important and challenging art with and about sound being produced today.