Konstfacks bibliotek

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*1112 $aWhitney Biennial$d2019$cNew York, N.Y.
*24510$aWhitney Biennial 2019 /$corganized by Jane Panetta and Rujeko Hockley, with Ramsay Kolber.
*264 1$aNew York, NY :$bWhitney Museum of American Art,$c[2019]
*264 2$aNew Haven, CT :$bDistributed by Yale University Press
*264 4$c©2019
*300  $a313 pages$billustrations (chiefly color)$c26 cm
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $aunmediated$bn$2rdamedia
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*340  $b26 cm
*500  $a"This catalogue was produced on the occasion of the 2019 Whitney Biennial, held at the Whitney Museum of American Art, New York, May 17-September 22, 2019, and organized by Jane Panetta and Rujeko Hockley, with Ramsay Kolber"--Colophon.
*500  $aArtists in the exhibition: Eddie Arroyo, Korakrit Arunanondchai, Olga Balema, Morgan Bassichis, Blitz Bazawule, Alexandra Bell, Brian Belott, Meriem Bennani, Robert Bittenbender, Lucas Blalock, Garrett Bradley, Milano Chow, Colectivo Los Ingrávidos, Thirza Cuthand, John Edmonds, Nicole Eisenman, Janiva Ellis, Kota Ezwana, Brendan Fernandes, Fierce and Paper Tiger Television, Marcus Fischer, Forensic Architecture, Ellie Ga, Nicholas Galanin, Sofia Gallisa Muriente, Jeffrey Gibson, Todd Gray, Sam Green, Barbara Hammer, Ilana Harris-Babou, Matthew Angelo Harrison, Curran Hatleberg, Madeline Hollander, Iman Issa, Tomashi Jackson, Steffani Jemison, Adam Khalil, Zack Khalil, and Jackson Polys, Christine Sun Kim, Josh Kline, Autumn Knight, Carolyn Lazard, Maia Ruth Lee, Simone Leigh, Daniel Lind-Ramos, James Luna, Eric N. Mack, Calvin Marcus, Tiona Nekkia McClodden, Troy Michie, Joe Minter, Keegan Monaghan, Caroline Monnet, Darius Clark Monroe, Ragen Moss, Sahra Motalebi, Marlon Mullen, Jeanette Mundt, Wangechi Mutu, Las Nietas de Nonó, Jenn Nkiru, Laura Ortman, Jennifer Packer, Nibia Pastrana Santiago, Elle Perez, Pat Phillips, Gala Porras-Kim, Walter Price, Carissa Rodriguez, Paul-Mpagi Sepuya, Heji Shin, Diane Simpson, Martine Syms, Kyle Thurman, Mariana Valencia, Agustina Woodgate.
*504  $aIncludes bibliographical references.
*5058 $gWorks --$gArtists --$gForeword --$gIntroduction --$tCivic lessons: notable characteristics of America /$rJane Panetta --$tThe end of the world or the beginning of the next /$rRujeko Hockley --$gProcess --$gEntries --$gExhibition checklist.
*5208 $aSince its introduction in 1932, the Whitney Biennial--the Museum's signature exhibition--has charted new developments in contemporary art. The 2019 Biennial is curated by members of the museum's curatorial staff Rujeko Hockley and Jane Panetta, well-known in the contemporary art world for their track records of working with emerging artists and producing historically minded exhibitions. The book features process images and source material from each of the Biennial participants, in addition to a commissioned text on each artist and essays by the curators on the themes of the exhibition. Adam D. Weinberg, the Whitney's Alice Pratt Brown Director, notes, "The Biennial is a tradition that goes back to the institution's historical roots while providing us with a barometer of the new. Pushing beyond what is comfortable, presenting diverse approaches to artmaking, and understanding that art can never be severed from the world at large have become the hallmarks of the Biennial." Coming in the midst of dramatic shifts in the cultural, social, and political landscapes, this book will serve as an important resource on present-day trends in contemporary art in the United States.00Exhibition: Whitney Museum of American Art, New York, USA (May-September 2019).
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*650 0$aArt, American$y21st century$vExhibitions.
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*7001 $aPanetta, Jane$ewriter of added commentary.$ecurator$4cur
*7001 $aHockley, Rujeko$ecurator$ewriter of added commentary.
*7001 $aKolber, Ramsay$ecurator$ewriter of added commentary.
*7102 $aWhitney Museum of American Art$eissuing body$ehost institution.$4his
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This highly anticipated book showcases the work and voices of an exciting selection of artists shaping the conversation about contemporary art in the United States today

Since its introduction in 1932, the Whitney Biennial--the Museum's signature exhibition--has charted new developments in contemporary art. The 2019 Biennial is curated by members of the museum's curatorial staff Rujeko Hockley and Jane Panetta, well-known in the contemporary art world for their track records of working with emerging artists and producing historically minded exhibitions. The book features process images and source material from each of the Biennial participants, in addition to a commissioned text on each artist and essays by the curators on the themes of the exhibition.

Adam D. Weinberg, the Whitney's Alice Pratt Brown Director, notes, "The Biennial is a tradition that goes back to the institution's historical roots while providing us with a barometer of the new. Pushing beyond what is comfortable, presenting diverse approaches to artmaking, and understanding that art can never be severed from the world at large have become the hallmarks of the Biennial." Coming in the midst of dramatic shifts in the cultural, social, and political landscapes, this book will serve as an important resource on present-day trends in contemporary art in the United States.