Konstfacks bibliotek

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*015  $aGBB944474$2bnb
*0167 $a019283973$2Uk
*020  $a9782072822612$q(hardback)
*020  $a2072822610$q(hardback)
*035  $a(OCoLC)on1048094072
*035  $a(SE-LIBR)nzzcbln4l07sqj1x
*040  $aKo$beng$cYDX$dBDX$dOCLCQ$dUKMGB$dOCLCO$dOCLCF$dGZM$dBOS$dOCLCO$dINU$dWAU$ei$erda
*041  $aeng
*050 4$aN6853.P52$bO5513 2019
*08204$a709.2$223
*084  $aIbz$2kssb/8 (machine generated)
*24500$aOlga Picasso /$cedited by Émilia Philippot, Joachim Pissarro, Bernard Ruiz-Picasso.
*264 1$aParis :$bGallimard :$bMusée national Picasso-Paris,$c[2019]
*264 4$c©2019
*300  $a311 pages$billustrations (some color), portraits$c29 cm
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*340  $b29 cm
*500  $aEnglish edition of the catalogue published for the exhibition "Olga Picasso" presented at the Musée national Picasso-Paris, March 21-Sept. 3, 2017; at  the Museo Picasso Malaga, Feb. 25-June 2, 2019; and at La Caixa Forum in Madrid, June 17-Sept. 22, 2019.
*500  $a"Olga" appears also in Cyrillic script on title page.
*504  $aIncludes bibliographical references (page 305).
*5058 $tOlga's trunk /$rBernard Ruiz-Picasso --$tPicasso never had a Neoclassical period--just an Olga period /$rJoachim Pissarro --$tMuse and model --$tMelancholy --$tOlga Picasso as model: a domestic revolution /$rÉmilie Bouvard --$tStory of a life --$tOlga Picasso: between France and Russia /$rThomas Chaineux --$tA new direction --$tMotherhood --$tPaul --$tMetamorphosis --$tOn the screen --$tOlga on the screen: another facet of Madame Picasso /$rÉmilia Philippot --$tBathers --$tCircus --$tStudio --$tBullfights and crucifixions --$tOlga in the 1930s: "the worst time of my life" (Pablo Picasso) /$rCharles Stcukey --$tEros and Thanatos --$tOlga's lives /$rCaroline Eliacheff --$tOlga's roles: her portrayal by biographers /$rMichael C. FitzGerald.
*520  $a"Olga Picasso" is a survey of works from the years 1917 to 1935, when Picasso was married to Russian ballerina Olga Khokhlova. More than 350 paintings, drawings, writings, and photographs chronicle Picasso's production during these interwar years. The exhibition shows how Picasso's feelings towards his spouse and muse shifted over the years, but also showcases the other themes preoccupying the artist at the time. Spanning 14 rooms over two floors, subjects range from the personal belongings of Kholkhova and Picasso's studio, domestic and family scenes, to bullfights, crucifixions, the circus, and more.
*599  $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
*60010$aPicasso, Olga$vExhibitions.
*60010$aPicasso, Olga$xInfluence$vExhibitions.
*60010$aPicasso, Pablo,$d1881-1973$vExhibitions.
*60010$aPicasso, Pablo,$d1881-1973$xRelations with women$vExhibitions.
*60017$aPicasso, Olga.$2fast
*60017$aPicasso, Pablo,$d1881-1973.$2fast
*650 0$aPainters' spouses$vExhibitions.
*650 0$aArtists' models$vExhibitions.
*655 7$aExhibition catalogs.$2lcgft
*7001 $aPhilippot, Emilia$4edt
*7001 $aPissarro, Joachim$4edt
*7001 $aPicasso, Bernard Ruiz-$4edt
*7001 $aPicasso, Pablo,$d1881-1973$4art
*7102 $aMusée Picasso (Paris, France)$4his
*841  $5Ko$ax  a$b190624||0000|||||000||||||000000$eu
*852  $5Ko$bKo$cKONST -$hIbz Picasso, Pablo
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^

In light of a large selection of previously unpublished personal archives - documents, photographs and films - this title explores Picasso's 'Olga period' by contextualising his work during this period and by questioning the contrast between the subject and its portrayal. A favourite model since their meeting in 1917, Olga Khokhlova, a Russian ballet dancer who married Picasso in July 1918, is the most represented female figure in the artist's work of the late 1910s and 1920s. Picasso renders the ambiguity of his first wife, her beauty, her Ingres-like contours, and her deep, pensive, melancholy, in many of his most famous portraits. The exhibition that this book accompanies brings to light materials conserved by Olga's family until recently, including memorabilia of her life as a dancer, photos of Picasso, their son Paul, and their daily life together, and their travels to Barcelona, Naples, and Monte Carlo. AUTHORS: Emilia Philippot is curator for Picasso Museum of Paris. Joachim Pissarro is an art historian, curator and director of Hunter College art galleries. Bernard Ruiz-Picasso is co-founder of Foundacion Almine y Bernard Ruiz-Picasso para el Arte (FABA). SELLING POINTS: * A thematic exploration of Picasso's work in the 1910s and 1920s * Includes previously unpublished material from the archives of the Fundacion Almine y Bernard Ruiz-Picasso para el Arte (FABA) * An exhibition catalogue with 200 works and 80 archival images 200 colour and 80 b/w images