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Varianttitel Slipcover title: Or Matt Keegan OR
Utgivning, distribution etc. New York, NY : Inventory Press ; Stavanger, Norway : Rogaland Kunstsenter, 2016
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 123 pages color illustrations 26 cm + 1 postcard
Anmärkning: Allmän Title page is located on page [33]. "This publication is a companion to Matt Keegan's exhibition 'Portable document format, ' Rogaland Kunstsenter, March 14-June 7, 2015"--Colophon. Includes one postcard (10 x 13 cm.) inserted.
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 115-119).
Anmärkning: Innehåll Common places ready made / Tom McDonough -- "A is for apple." / John Miller -- We are limited to an I love you / Uri Aran -- MirrorrorriM / a conversation with Sara VanDerBeek -- Practice, practice, practice / a conversation with Anna Craycroft -- Memento (after Christopher Nolan's film of the same title circa 2001) / Leslie Hewitt.
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*500 $a"This publication is a companion to Matt Keegan's exhibition 'Portable document format, ' Rogaland Kunstsenter, March 14-June 7, 2015"--Colophon.
*500 $aIncludes one postcard (10 x 13 cm.) inserted.
*504 $aIncludes bibliographical references (pages 115-119).
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This is the first significant publication to explore the output of Matt Keegan, the New York-based artist known for his work across mediums, as well as independent publishing including the acclaimed editioned art journal North Drive Press. This monograph expands on a recent solo exhibition by the artist at Rogaland Kunstsenter; Stavanger, Norway, titled "Portable Document Format." The show was organized as an idiosyncratic retrospective, with Keegan remaking sculptures dating from 2006 to 2015, initially fabricated in Sheetrock and steel, in cardboard. Like the exhibition, the publication serves both as a project and a reference for the artist's work.
Essays by Tom McDonough and John Miller theorize Keegan's production, while interviews with Sara VanDerBeek and Anna Craycroft underscore the artist's ongoing engagement with his peer group. Furthered by contributions from colleagues Uri Aran, Leslie Hewitt and James Richards, situated alongside full-color installation photos and reproductions of work from the past decade, Matt Keegan: OR provides a solid introduction and layered overview of the artist's multifarious practice.