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No new kind of duck : would I know how to say what I do?
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Location
  • KONST - Iaa
Title Statement
  • No new kind of duck : would I know how to say what I do?
Publication, Distribution, etc. (Imprint)
  • Zurich ; Berlin : DIAPHANES, 2016
  • 2016
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • 317 pages illustrations (chiefly color) 20 cm.
General Note
  • "This book was published on the occasion of Graduale 2016, the biannual showcase of the Graduate School fellowship programme at the Berlin University of the Arts, funded by the Einstein Foundation Berlin"--Colophon.
Formatted Contents Note
  • Why duck? -- Would I know how to say what I do? / by Jan Verwoert -- Lizza May David : paintings, plants and questions for Ulysses Ferreras -- Azin Feizabadi : stills from proplogue to Uchronia, act 1, automatic writing by Farkhondeh Shahroudi -- Jour fixe : life-work. Conversation between the artists, 03.03.2016 -- Bjoern Erlach : Occidental mimesis, essay -- Nuria Núñez Hierro : Bestiarium, plot, creatures and glimpses of the score -- Ralph Baecker : Interface I (square art), Random-access memory (round art) -- Jour fixe : Open forms change realities. Conversation between the artists, 21.04.2016 -- Jeremiah Day : The chair remains empty / But the place is set -- Alex Martinis Roe : Archive pages : Our future network, propositions for feminist collective practice -- Salon : Urgency and agency. Conversation on stage at Grüner Salon Volksbühne, Berlin, 09.05.2016.
Language Note
  • Text in English and some German, with English translation.
Subject - Chronological Term
  • 2000-2099
Subject - Topical Term
Added Entry - Corporate Name
ISBN
  • 3037349468
  • 9783037349465
Waiting
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What do we learn by making art? What do we discover by discussing our art with other people? These are the questions at the heart of No New Kind of Duck, which documents an exchange between Jan Verwoert and artists, critics, and other researchers at the Graduate School at the Berlin University of the Arts, including artists Alex Martinis Roe, Jeremiah Day, Azin Feizabadi, Lizza May David, and Ralf Baecker and composers Nuria N#65533;#65533;ez Hierro and Bj#65533;rn Erlach.

Creating art and coining the terms to explain and define one's artistic practice, the contributors find, are two closely related yet distinct practices. The book begins with an introduction by Verwoert that discusses the politics of art as a form of knowledge production. Verwoert's introduction is followed by contributions that turn the focus on the stakes of an art practice today. The book also presents a careful selection of art, in which each piece is presented without accompanying explanations or justification, highlighting the possibilities for artists to coin their own terms to describe the concerns of their practice. Beautifully designed by artist Nienke Terpsma, the book will be an equally welcome companion for established or aspiring artists.

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