Hylla KONST - Ibz Duchamp, Marcel
Personnamn
Titel och upphov The apparently marginal activities of Marcel Duchamp
Utgivning, distribution etc. Cambridge, MA : The MIT Press, [2016]
©2016
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xii, 339 pages illustrations (some color) 27 cm
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll Introduction: a history of Marcel Duchamp and other fictions -- Notes for a theory of the work of art -- 'I myself will exhibit nothing' -- The dead end of the museum.
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Kronologisk term
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ISBN
Antal i kö:
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*24514$aThe apparently marginal activities of Marcel Duchamp /$cElena Filipovic.
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*340 $b27 cm
*504 $aIncludes bibliographical references and index.
*5058 $aIntroduction: a history of Marcel Duchamp and other fictions -- Notes for a theory of the work of art -- 'I myself will exhibit nothing' -- The dead end of the museum.
*60010$aDuchamp, Marcel,$d1887-1968$xCriticism and interpretation.
*60010$aDuchamp, Marcel,$d1887-1968$xKnowledge and learning .
*60014$aDuchamp, Marcel,$d1887-1968
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*650 0$aArtists$xProfessional relationships$xHistory$y20th century.
*650 0$aArt and society$xHistory$y20th century.
*650 4$aArt and society.
*650 4$aLearning and scholarship.
*650 4$aArtists$xProfessional relationships.
*650 0$aArt and society
*650 0$aLearning and scholarship
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*655 4$aCriticism, interpretation, etc.$2fast
*655 4$aHistory.$2fast
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A new understanding of Marcel Duchamp and his significance as an artist through an investigation of his non-art activities-archiving, art-dealing, and, most persistently, curating. This groundbreaking and richly illustrated book tells a new story of the twentieth century's most influential artist, recounted not so much through his artwork as through his "non-art" work. Marcel Duchamp is largely understood in critical and popular discourse in terms of the objects he produced, whether readymade or meticulously fabricated. Elena Filipovic asks us instead to understand Duchamp's art through activities not normally seen as artistic-from exhibition making and art dealing to administrating and publicizing. These were no occasional pursuits; Filipovic argues that for Duchamp, these fugitive tasks were a veritable lifework.