Konstfacks bibliotek

Heaven on earth : painting and the life to come
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Titel och upphov
  • Heaven on earth : painting and the life to come
Varianttitel
  • Painting and the life to come
Utgivning, distribution etc.
  • New York, New York : Thames & Hudson, 2018
Utgivningsår
  • 2018
  • Språk: Engelska.
Fysisk beskrivning
  • 288 pages illustrations (some color) 24 cm
Anmärkning: Bibliografi etc.
  • Includes bibliographical references (pages 263-282) and index.
Anmärkning: Innehåll
  • Preface -- Introduction -- Giotto and the Angel -- Bruegel in paradise -- Poussin and the unbeliever -- Veronese's higher beings -- Picasso and the fall -- For a left with no future.
Term
ISBN
  • 9780500021385
  • 0500021384
Antal i kö:
  • 0 (0)
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*1001 $aClark, T. J.$q(Timothy J.)$eauthor.
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*504  $aIncludes bibliographical references (pages 263-282) and index.
*5058 $aPreface -- Introduction -- Giotto and the Angel -- Bruegel in paradise -- Poussin and the unbeliever -- Veronese's higher beings -- Picasso and the fall -- For a left with no future.
*599  $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
*650 7$aHimlen i konsten$2sao$0https://id.kb.se/term/sao/Himlen%20i%20konsten
*650 0$aHeaven in art.
*650 0$aChristian art and symbolism.
*650 0$aPainting, European$xThemes, motives.
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*650 7$aHeaven in art.$2fast
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In this latest work, respected art historian T. J. Clark sets out to investigate the different ways painting has depicted the dream of God's kingdom come: heaven descended to earth. He goes back to the late Middle Ages and Renaissance--to Giotto in Padua, Bruegel facing the horrors of religious war, Poussin painting the Sacraments, and Veronese unfolding the human comedy, in particular his inscrutable Allegory of Love. Was it ultimately to painting's advantage that in an age of orthodoxy and enforced censorship (threats of hellfire, burnings at the stake) artists found ways reflect on the powers and limitations of religion without putting their thoughts into words? In conclusion Clark brings us into the Nuclear Age with Picasso's Fall of Icarus, made for UNESCO in 1958, which already seems to signal, or even prescribe, an age when all futures are dead.

  • p. 8
  • p. 10
  • p. 26
  • p. 74
  • p. 127
  • p. 166
  • p. 205
  • p. 237
  • p. 263
  • p. 283
  • p. 284
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