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Title Statement Weaving Modern ism : postwar tapestry between Paris and New York
Varying Form of Title Postwar tapestry between Paris and New York
Publication, Distribution, etc. (Imprint) New Haven : Yale University Press, [2019]
Dewey Decimal Classification Number
SAB Classification Code
Physical Description xi, 268 pages illustrations (some color) 26 cm
Bibliography, etc. Note Includes bibliographical references (pages 249-256) and index.
Summary, etc With a revelatory analysis of how the postwar French tapestry revival provided a medium for modern art and a model for its discourse and marketing on both sides of the Atlantic, Weaving Modern ism presents a fascinating reexamination of modern ism's relationship to decoration, reproducibility, and politics. Tapestry offered artists a historically grounded medium for distributing and marketing their work, helped expand the visibility and significance of abstraction at midcentury, and facilitated modern ism's entry into the dominant paradigm of the postwar period. K. L. H. Wells situates tapestry as part of a broader "marketplace modern ism" in which artists participated, conjuring a lived experience of visual culture in corporate lobbies, churches, and even airplanes, as well as in galleries and private homes. This extensively researched study features previously unpublished illustrations and little-known works by such major artists as Helen Frankenthaler, Henri Matisse, Robert Motherwell, Pablo Picasso, and Frank Stella.
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ISBN
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An unprecedented study that reveals tapestry's role as a modernist medium and a model for the movement's discourse on both sides of the Atlantic in the decades following World War II With a revelatory analysis of how the postwar French tapestry revival provided a medium for modern art and a model for its discourse and marketing on both sides of the Atlantic, Weaving Modernism presents a fascinating reexamination of modernism's relationship to decoration, reproducibility, and politics. Tapestry offered artists a historically grounded medium for distributing and marketing their work, helped expand the visibility and significance of abstraction at midcentury, and facilitated modernism's entry into the dominant paradigm of the postwar period. K. L. H. Wells situates tapestry as part of a broader "marketplace modernism" in which artists participated, conjuring a lived experience of visual culture in corporate lobbies, churches, and even airplanes, as well as in galleries and private homes. This extensively researched study features previously unpublished illustrations and little-known works by such major artists as Helen Frankenthaler, Henri Matisse, Robert Motherwell, Pablo Picasso, and Frank Stella.