Konstfacks bibliotek

*000     cam a       7a 4500
*00145837
*00520181030230000.0
*008020113s2000    xxka||||||||||000 0|eng|c
*020  $a9780415185592
*020  $a0415185580$c£50.00 : CIP entry (Jun.)
*020  $a0415185599$qPBK.$c£16.99
*035  $90415185580
*035  $a(SE-LIBR)8286663
*040  $aG$ea
*041  $aeng
*08204$a700.411$221
*084  $aIkaa.58
*084  $aIbh.55$2kssb/6
*084  $aIkö.55$2kssb/6
*24510$aSite-specific art :$bperformance, place and documentation /$cNick Kaye.
*264 1$aLondon :$bRoutledge,$ccop. 2000
*300  $a238 s.$bill.$c25 cm
*340  $b25 cm
*5058 $aInnehåller avsnitt om: Meredith Monk -- Michelangelo Pistoletto -- Station House Opera
*650 7$aPerformance$0https://id.kb.se/term/sao/Performance$2sao
*650 7$aArts, Modern$y20th century$2BNB
*650 4$aPerformance art
*650 4$aInstallationer
*650 4$aRummet i teater
*650 0$aPerformance art
*7001 $aKaye, Nick$eunspecifiedContributor$4oth
*841  $5Ko$ax  a$b190320||0000|||||000||||||000000$e|
*852  $5Ko$bKo$cKONST -$hIb.55
*887  $a{"@id":"r82zz0h359g936z","modified":"2018-10-30T23:00:00+01:00","checksum":"44301053814"}$2librisxl
*887  $5Ko$a{"@id":"5g3hn86q3ms7cwxv","modified":"2019-03-20T10:51:48.28+01:00","checksum":"23673534331"}$2librisxl
*976 2$aIbh.55$bKonst Konsthistoria Otraditionella Konstformer Efterkrigstiden
*976 2$aIkö.55$bOffentliga Nöjen Underhållning Efterkrigstiden
^

Site-Specific Art charts the development of an experimental art form in an experimental way. Nick Kaye traces the fascinating historical antecedents of today's installation and performance art, while also assembling a unique documentation of contemporary practice around the world.
The book is divided into individual analyses of the themes of space, materials, site, and frames. These are interspersed by specially commissioned documentary artwork from some of the world's foremost practitioners and artists working today. This interweaving of critique and creativity has never been achieved on this scale before.
Site-Specific Art investigates the relationship of architectural theory to an understanding of contemporary site related art and performance, and rigorously questions how such works can be documented.
The artistic processes involved are demonstrated through entirely new primary articles from:
* Meredith Monk
* Station House Opera
* Brith Gof
* Forced Entertainment.
This volume is an astonishing contribution to debates around experimental cross-arts practice.

• Notes on Contributorsp. ix
• Acknowledgementsp. xv
• Introduction: Site-Specificsp. 1
• Nights In This City: diverse letters and fragments relating to a performance now pastp. 13
• Spacesp. 25
• Performing the Gallery: Robert Morris and Michelangelo Pistolettop. 26
• Performing the City: Krzysztof Wodiczkop. 33
• Architecture and Event: Bernard Tschumip. 41
• 'Placeevent': Brith Gofp. 52
• Le Stanze (The Rooms)p. 59
• Sitep. 91
• Mapping Site: Robert Smithsonp. 92
• Unmappable Spacesp. 100
• Performing Mapping: Allan Kaprow, Claes Oldenburg, Wolf Vostellp. 105
• Space as Map and Memory: Meredith Monkp. 119
• Ten Feet and Three Quarters of an Inch of Theatrep. 125
• Materialsp. 139
• Material Affects: Gilberto Zorio, Giovanni Anselmo, Giuseppe Penonep. 139
• Embodying Site: Dennis Oppenheim and Vito Acconcip. 151
• Theatrical Materials: Station House Operap. 163
• The Breeze Block Performancesp. 170
• Framesp. 183
• Repetition and Location: Daniel Burenp. 184
• 'Framing and Being Framed': Hans Haackep. 192
• Performing Inside and Outside: Fiona Templetonp. 199
• Site-Specific Worksp. 203
• Conclusion: Documentationp. 215
• Bibliographyp. 221
• Indexp. 229