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Titel och upphov
Utgivning, distribution etc. London, U.K. Open Editions ; Bergen, Norway : Hordaland Art Centre, 2013
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll On de-organisation / Barnaby Drabble -- There is no alternative : the future is (self-)organised part 2 / Anthony Davies, Stephan Dillemuth & Jakob Jakobsen -- The inner and outer form of self-organisation / Maibritt Borgen -- Institutional experiments between aesthetics and activism / Jonas Ekeberg -- Too close to see : notes on friendship, a conversation with Johan Frederik Hartle / Céline Condorelli -- The almost institution / Livia Pancu -- What happened, happened / Linus Elmes -- My history of the history of L'appartement 22 / Abdellah Karroum -- Active recollection : archiving 'Group Material' / Julie Ault -- Defining the enemy and post-Fordist business as usual / What, How & for Whom/WHW -- All the wrong examples / Jan Verwoert -- Variables and constants / Juan A. Gaitán -- What more do you want than freedom? / Charles Esche interviewed by Ekaterina Degot & David Riff.
Term
ISBN
Antal i kö:
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*00145595
*00520180601090615.0
*008140121s2013 enk||||||b||||000 0|eng|d
*020 $a0949004170
*020 $a9780949004178$qhäftad
*035 $a(OCoLC)845234936
*035 $a(SE-LIBR)14979035
*040 $aYDXCP$beng$cYDXCP$dBTCTA$dVVPCS$dERASA$dCDX$dJPG$dESR$dGhdk$dH$ea
*041 $aeng
*08204$a701$223/swe
*084 $aIaa$2kssb/8 (machine generated)
*24510$aSelf-organised /$cStine Hebert & Anne Szefer Karlsen (eds.).
*264 1$aLondon, U.K.$bOpen Editions ;$aBergen, Norway :$bHordaland Art Centre,$c2013
*300 $a163 p.$c22 cm.
*340 $b22 cm.
*4901 $aOccasional table
*504 $aIncludes bibliographical references.
*5058 $tOn de-organisation /$rBarnaby Drabble --$tThere is no alternative : the future is (self-)organised part 2 /$rAnthony Davies, Stephan Dillemuth & Jakob Jakobsen --$tThe inner and outer form of self-organisation /$rMaibritt Borgen --$tInstitutional experiments between aesthetics and activism /$rJonas Ekeberg --$tToo close to see : notes on friendship, a conversation with Johan Frederik Hartle /$rCéline Condorelli --$tThe almost institution /$rLivia Pancu --$tWhat happened, happened /$rLinus Elmes --$tMy history of the history of L'appartement 22 /$rAbdellah Karroum --$tActive recollection : archiving 'Group Material' /$rJulie Ault --$tDefining the enemy and post-Fordist business as usual /$rWhat, How & for Whom/WHW --$tAll the wrong examples /$rJan Verwoert --$tVariables and constants /$rJuan A. Gaitán --$tWhat more do you want than freedom? /$rCharles Esche interviewed by Ekaterina Degot & David Riff.
*599 $aImported from: cals.evergreen.edu:210/INNOPAC (Do not remove)
*650 7$aKooperativ$2sao$0https://id.kb.se/term/sao/Kooperativ
*650 7$aPolitik och kultur$2sao$0https://id.kb.se/term/sao/Politik%20och%20kultur
*650 0$aAlternative spaces (Arts facilities)
*650 0$aNonprofit organizations
*650 0$aCooperative societies
*650 0$aCooperative societies
*650 0$aPolitics and culture
*655 4$0https://id.kb.se/marc/Bibliography
*655 4$0https://id.kb.se/marc/NotFictionNotFurtherSpecified
*7001 $aHebert, Stine$4edt
*7001 $aSzefer Karlsen, Anne,$d1976-$4edt
*830 0$aOccasional table
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*852 $5Ko$bKo$cKONST -$hIaa
*887 $a{"@id":"tc5b9xj54t9ws1s","modified":"2018-06-01T09:06:15+02:00","checksum":"134086376954"}$2librisxl
*887 $5Ko$a{"@id":"19qr7hxzzqf20fkd","modified":"2019-01-23T16:25:38.138+01:00","checksum":"104786174926"}$2librisxl
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The current economic situation and society's low confidence in its institutions demands that artists become more imaginative in their self-organization. If labels such as 'alternative, ' 'non-profit' and 'artist-run' dominated the self-organized art scene of the late nineties, the separatist position implied by the use of these terms has been moderated during the intervening years. This new anthology of accounts from the frontline includes contributions by artist practitioners as well as their institutional counterparts providing a fascinating account of the art world as a matrix of positions where the balance of power and productivity constantly shifts. Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.