Hylla
Personnamn
Titel och upphov Graphic design : a concise history
Utgivning, distribution etc. Thames & Hudson, London : cop. 1994
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 224 s. : ill. (vissa i färg) ; 21cm
Serietitel - biuppslagsform
Term
Automatiskt genererade ämnesord (BURK) Grafisk Konst Bruksgrafik Modern Tid
ISBN
Antal i kö:
*00000902nam a22002897a 4500
*001455
*00520131220065352.9
*008940504s1994 xxka||| 001 0 eng c
*020 $a0-500-20270-2 (hft.) ;$c£6.95 : Formerly CIP
*035 $a(SE-LIBR)4995415
*035 $a(Ko)467
*040 $aL*
*082 $a741.6$220
*084 $5Ko$aIfq.5$2kssb/6
*084 $aIfq.5$2kssb/6
*1001 $aHollis, Richard
*24500$aGraphic design :$ba concise history /$cRichard Hollis
*260 $aLondon :$bThames & Hudson,$ccop. 1994
*300 $a224 s. :$bill. (vissa i färg) ;$c21cm
*440 $aWorld of art
*650 7$aGraphic design $2BNB
*650 7$aHistory$2BNB
*650 7$aBruksgrafik$xhistoria$y1900-talet$2sao
*841 $5Ko$axa a$b0201070u 0 4000uu |000000$e1
*852 $5Ko$bKo$hGRAFISK DESIGN - Ifq
*976 2$aIfq.5$bGrafisk Konst Bruksgrafik Modern Tid
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
The story of graphic design is one of the most exciting and most important in the history of 20th-century visual culture. Created to inform, identify and promote, graphic design has evolved from its roots in the development of printing to become a profession and a discipline in its own right.
Introduction p. 7 From Graphic Art to Design 1890 to 1914 The Art Poster p. 11 Two-Dimensional Design and Graphic Reproduction Information Design Bauhaus Typography Photography and Sequence Printing Technique and Design Colour and Visual Clues Production and New Technology The Beginnings of Design in Europe p. 25 War and Propaganda 1914 to the 1920s p. 32 The Avant-Garde and the Origins of Modernism 1914 to 1940 Futurism and Italy p. 37 Soviet Russia p. 44 Germany p. 52 The Netherlands p. 68 National Tendencies until 1940 Switzerland p. 76 France p. 83 Britain p. 89 The Designer and the Art Director The United States in the 1930s p. 97 War and Propaganda 1920s to 1945 p. 104 The United States 1945 to the 1960s p. 112 Variants of Modernism in Europe Switzerland and Neue Graphik p. 130 Italy and the Milanese Style p. 138 France p. 147 Northern Europe p. 155 Psychedelia, Protest and New Techniques New Waves: Electronic Technology The 1970s and 1980s p. 186 From 1990 to the New Millennium p. 216 Bibliography and Sources p. 224 Index p. 229