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Electronic superhighway : from experiments in art and technology to art after the Internet
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Location
  • KONST - Ib.55
Title Statement
  • Electronic superhighway : from experiments in art and technology to art after the Internet
Publication, Distribution, etc. (Imprint)
  • London : Whitechapel Gallery, 2016
  • 2016
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • 256 pages illustrations (colour) 30 cm
General Note
  • Utställning: Electronic Superhighway, Whitechapel Gallery, 29 January - 15 May 2016.
Bibliography, etc. Note
  • Includes bibliographical references.
Formatted Contents Note
  • Electronic superhighway / Iwona Blazwick -- Electronic superhighway : towards a possible future for art and the internet / Omar Kholeif -- Time frames : three episodes in the evolution of digital cinema / Ed Halter -- On the grid / Erika Balsom -- Performing digital culture / Dragan Espenschied in conversation with Heather Corcoran -- Video philosopher / Nam June Paik in conversation with Lynn Hershman Leeson -- The dynamics of desire / Judith Barry in conversation with Sarah Perks -- Programming subjectivity / Jonas Lund in conversation with Séamus McCormack -- Membrane of mind / Ulla Wiggen in conversation with Séamus McCormack -- Artists' biographies -- Contributors' biographies -- List of works.
Subject - Chronological Term
  • 1900-talet
  • 2000-talet
Subject - Topical Term
Added Entry - Corporate Name
ISBN
  • 9780854882465
Waiting
  • 0 (0)
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Beginning with Robert Rauschenberg and Robert Whitman's 1966 Experiments in Art and Technology (E.A.T.) with Bell Laboratories engineers, and including new and rarely seen multimedia works, film, painting, sculpture, photography and drawings by over 70 artists such as Cory Arcangel, Roy Ascott, Jeremy Bailey, Judith Barry, Trevor Paglen, Nam June Paik, Ryan Trecartin and Ulla Wiggen, this publication tells the story of a global visual culture. It includes essays by curator Omar Kholeif, Ed Halter and Erika Balsom; conversations between pioneering video artist Judith Barry and Sarah Perks; and newly commissioned artist interviews with Ulla Wiggen and Jonas Lund by S amus McCormack, plus a sequence of artist interventions from Douglas Coupland.

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