Konstfacks bibliotek

Edge habitat materials
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Personnamn
Titel och upphov
  • Edge habitat materials
Varianttitel
  • Helen Mirra : Edge habitat materials.
Utgivning, distribution etc.
  • 2014
Utgivningsår
  • 2014
  • Språk: Engelska.
Fysisk beskrivning
  • 145 pages illustrations 24 cm.
Anmärkning: Allmän
  • Pamphlets and loose leaves in binder.
  • Includes two postcards (11 x 14 cm) and one chart card with color's number (color scheme of artist's works, 13 x 18 cm)
  • "Analyses of disparate topics by T. Wessels, B. Cormack, M. Siderits and S. Katsura; H. Mirra, survey 1995-2009; Additions include essays by L. Kotz, Y. Tsivian, A. Upitis"--Title page verso.
  • Catalog of an exhibition held at MIT List Visual Arts Center, Cambridge, MA, February 7-April 6, 2014; Radcliffe Institute for Advanced Study, Cambridge, MA, April 24-June 6 and September 5-October 7, 2014; Culturgest, Lisbon, Portugal, June 7-September 14, 2014.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • "Edge Habitat Materials is a survey of all works made by Helen Mirra between 1995-2009. The book, in the form of a binder, includes texts by Bradin Cormack on walking as minimal aesthetic practice, Tom Wessels on beavers abandoning their ponds, and portions of Mark Siderits and Sh¿‍ry¿± Katsura's translation of N♯g♯rjuna's M¿±lamadhyamakak♯rik♯. The survey is organized according to primary material-rock, wood, textile, and usw (un so weiter)-and includes line drawings by Mirra of certain of her works. Additions to the book-sent intermittently to readers who mail in a postcard included in the book-include texts by Liz Kotz, Yuri Tsivian, and Alise Upitis, as well as a cloth bookmarker made by Mirra. Models for this publication include The Audubon Society's Field Guide to North American Mushrooms (1981), Daniel Spoerri's An Anecdoted Topography of Chance (1966), and Richard Tuttle's Small Sculptures of the 70s (1998). Edge Habitat Materials is produced by the MIT List Visual Arts Center and the Radcliffe Institute for Advanced Study at Harvard University and edited by List Assistant Curator Alise Upitis."--MIT List Visual Arts Center website http:\\listart.mit.edu/publications, viewed 8/26/2015.
Personnamn
Term
Institutionsnamn
ISBN
  • 9780945323259
  • 0945323255
Antal i kö:
  • 0 (0)
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*500  $aCatalog of an exhibition held at MIT List Visual Arts Center, Cambridge, MA, February 7-April 6, 2014; Radcliffe Institute for Advanced Study, Cambridge, MA, April 24-June 6 and September 5-October 7, 2014; Culturgest, Lisbon, Portugal, June 7-September 14, 2014.
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*520  $a"Edge Habitat Materials is a survey of all works made by Helen Mirra between 1995-2009.  The book, in the form of a binder, includes texts by Bradin Cormack on walking as minimal aesthetic practice, Tom Wessels on beavers abandoning their ponds, and portions of Mark Siderits and Sh¿‍ry¿± Katsura's translation of N♯g♯rjuna's M¿±lamadhyamakak♯rik♯. The survey is organized according to primary material-rock, wood, textile, and usw (un so weiter)-and includes line drawings by Mirra of certain of her works. Additions to the book-sent intermittently to readers who mail in a postcard included in the book-include texts by Liz Kotz, Yuri Tsivian, and Alise Upitis, as well as a cloth bookmarker made by Mirra. Models for this publication include The Audubon Society's Field Guide to North American Mushrooms (1981), Daniel Spoerri's An Anecdoted Topography of Chance (1966), and Richard Tuttle's Small Sculptures of the 70s (1998). Edge Habitat Materials is produced by the MIT List Visual Arts Center and the Radcliffe Institute for Advanced Study at Harvard University and edited by List Assistant Curator Alise Upitis."--MIT List Visual Arts Center website http:\\listart.mit.edu/publications, viewed 8/26/2015.
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Artist Helen Mirra creates works that explore the relationship between the natural world and the everyday lives and activities of the people who live in it. Aesthetically minimalist, her works deploy repetition and a large range of reference, in order to emphasize labor and the meditative aspects of experience.

Edge Habitat Materials brings together all the artwork created by Mirra between 1995 and 2009, accompanied by disparate texts. For example, in an essay on walking as a minimal aesthetic practice, Bradin Cormack situates Mirra's walks--which she then indexed in overlapping exhibitions--within the context of literary engagements with walking. Together, the art and critical engagements offer a testament to a richly varied creative practice, one that continues to shift and surprise today.

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