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Feminism and art history now : radical critiques of theory and practice
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  • KONST - Iaa
Title Statement
  • Feminism and art history now : radical critiques of theory and practice
Publication, Distribution, etc. (Imprint)
  • 2017 London ; New York : I.B. Tauris, [2017] ©2017.
  • 2017
  • Språk: Engelska.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description
  • xvii, 293 pages illustrations 23 cm.
Series Statement
  • 34
Series Added Entry - Uniform Title
Bibliography, etc. Note
  • Includes bibliographical references and index.
Formatted Contents Note
  • An unfinished revolution in art historiography, or how to write a feminist art history / Victoria Horne and Amy Tobin -- I want a dyke for president : sounding out Zoe Leonard's manifesto for art history's feminist futures / Laura Guy -- 'Our stories are our life blood' : indigenous feminist memory and storytelling as strategy for social change / Cherry Smiley -- Making visible Lee Krasner's occupation : feminist art historiography and the Pollock-Krasner studio / Andrew Hardman -- Challenging feminist art history : Carla Lonzi's divergent paths / Giovanna Zapperi -- This moment : a dialogue on participation, refusal and history making / Angela Dimitrakaki and Lara Perry -- The salon model : the conversational complex / Elke Krasny -- Los Angeles, 1972/Glasgow, 1990 : a report on Castlemilk Womanhouse / Hannah Hamblin -- If you lived here... : a case study on social reproduction in feminist art history / Kirsten Lloyd -- Temporalities of the 'feminaissance' / Francesco Ventrella -- Gestures of inclusion, bodily damage and the hauntings of exploitation in Global feminisms (2007) / Kimberly Lamm -- Learning and playing : re-enacting feminist histories / Catherine Grant.
Summary, etc
  • To what extent have developments in global politics, artworld institutions, and local cultures reshaped the critical directions of feminist art historians? The significant new research gathered here engages with the rich inheritance of feminist historiography since around 1970, and considers how to maintain the forcefulness of its critique while addressing contemporary political struggles. Taking on subjects that reflect the museological, global and materialist trajectories of twenty-first-century art historical scholarship, the chapters address the themes of Invisibility, Temporality, Spatiality and Storytelling. They present new research on a diversity of topics that span political movements in Italy, urban gentrification in New York, community art projects in Scotland and Canada's contemporary indigenous culture. Individual chapter analyses focus on the art of Lee Krasner, The Emily Davison Lodge, Zoe Leonard, Martha Rosler, Carla Lonzi and Womanhouse. Together with a synthesising introductory essay, these studies provide readers with a view of feminist art histories of the past, present and future.
Electronic Location and Access
  • https://www.tcd.ie/library/using-library/eLD/#PDA This book was purchased using Patron Driven Acquisition: click here to find out more
ISBN
  • 9781784533250
  • 1784533254
Waiting
  • 0 (0)
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*4901 $aInternational library of modern and contemporary art ;$v34
*504  $aIncludes bibliographical references and index.
*5058 $aAn unfinished revolution in art historiography, or how to write a feminist art history / Victoria Horne and Amy Tobin -- I want a dyke for president : sounding out Zoe Leonard's manifesto for art history's feminist futures / Laura Guy -- 'Our stories are our life blood' : indigenous feminist memory and storytelling as strategy for social change / Cherry Smiley -- Making visible Lee Krasner's occupation : feminist art historiography and the Pollock-Krasner studio / Andrew Hardman -- Challenging feminist art history : Carla Lonzi's divergent paths / Giovanna Zapperi -- This moment : a dialogue on participation, refusal and history making / Angela Dimitrakaki and Lara Perry -- The salon model : the conversational complex / Elke Krasny -- Los Angeles, 1972/Glasgow, 1990 : a report on Castlemilk Womanhouse / Hannah Hamblin -- If you lived here... : a case study on social reproduction in feminist art history / Kirsten Lloyd -- Temporalities of the 'feminaissance' / Francesco Ventrella -- Gestures of inclusion, bodily damage and the hauntings of exploitation in Global feminisms (2007) / Kimberly Lamm -- Learning and playing : re-enacting feminist histories / Catherine Grant.
*5208 $aTo what extent have developments in global politics, artworld institutions, and local cultures reshaped the critical directions of feminist art historians? The significant new research gathered here engages with the rich inheritance of feminist historiography since around 1970, and considers how to maintain the forcefulness of its critique while addressing contemporary political struggles. Taking on subjects that reflect the museological, global and materialist trajectories of twenty-first-century art historical scholarship, the chapters address the themes of Invisibility, Temporality, Spatiality and Storytelling. They present new research on a diversity of topics that span political movements in Italy, urban gentrification in New York, community art projects in Scotland and Canada's contemporary indigenous culture. Individual chapter analyses focus on the art of Lee Krasner, The Emily Davison Lodge, Zoe Leonard, Martha Rosler, Carla Lonzi and Womanhouse. Together with a synthesising introductory essay, these studies provide readers with a view of feminist art histories of the past, present and future.
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*7001 $aHorne, Victoria$c(Art historian)$eeditor.
*7001 $aPerry, Lara$eeditor.
*830 0$aInternational library of modern and contemporary art ;$v34.
*852  $cKONST -$hIaa
*8564 $uhttps://www.tcd.ie/library/using-library/eLD/#PDA$yThis book was purchased using Patron Driven Acquisition: click here to find out more
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*950  $6650$aKonsthistoria$xvetenskapshistoria$uKonsthistorieskrivning
*950  $6650$aKonst och feminism$uFeminism och konst
*950  $6650$wg$aKonst$uFeminism och konst
^
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To what extent have developments in global politics, artworld institutions, and local cultures reshaped the critical directions of feminist art historians? The significant new research gathered here engages with the rich inheritance of feminist historiography since around 1970, and considers how to maintain the forcefulness of its critique while addressing contemporary political struggles. Taking on subjects that reflect the museological, global and materialist trajectories of twenty-first-century art historical scholarship, the chapters address the themes of Invisibility, Temporality, Spatiality and Storytelling. They present new research on a diversity of topics that span political movements in Italy, urban gentrification in New York, community art projects in Scotland and Canada's contemporary indigenous culture. Individual chapter analyses focus on the art of Lee Krasner, The Emily Davison Lodge, Zoe Leonard, Martha Rosler, Carla Lonzi and Womanhouse. Together with a synthesising introductory essay, these studies provide readers with a view of feminist art histories of the past, present and future.

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