Konstfacks bibliotek

*000     cam a       7a 4500
*00145130
*00520181207104450.0
*008150421s2015    nyua|||||c||||000 0|eng|c
*020  $a0892075198$qhardcover
*020  $a9780892075195$qhardcover
*035  $a(SE-LIBR)17866883
*040  $aYDXCP$beng$cYDXCP$dWLU$dNhCcYBP$dN$ea
*041  $aeng
*050 4$aN7359.K38$bA4 2015
*24510$aOn Kawara -- silence /$cJeffrey Weiss with Anne Wheeler ; essays by Daniel Buren ... [et al.].
*24630$aSilence
*264 1$aNew York :$bGuggenheim Museum Publications,$c2015
*300  $a261, [2] p.$bchiefly ill.$c26 x 33 cm.
*336  $atext$btxt$2rdacontent.
*336  $astill image$bsti$2rdacontent.
*337  $aunmediated$bn$2rdamedia.
*338  $avolume$bnc$2rdacarrier.
*340  $b26 x 33 cm.
*500  $a"Published on the occasion of the exhibition "On Kawara -- Silence", organized by Jeffrey Weiss with Anne Wheeler, Solomon R. Guggenheim Museum, New York February 6-May 3, 2015" --collophon.
*520  $a"This exhibition marks the first full museum overview of the work produced by On Kawara after1963. It has been organized in close collaboration with the artist, who proposed most of the sections that comprise the final structure of the show..." --Introduction, p. 19.
*599  $aImported from: library.metmuseum.org:210/INNOPAC (Do not remove)
*60010$aKawara, On$vExhibitions.
*60014$aKawara, On,$d1933-2014
*648 7$a1945-$0https://id.kb.se/term/sao/1945-$2sao
*650 7$aKonceptkonst$2sao$0https://id.kb.se/term/sao/Konceptkonst
*650 0$aConceptual art.
*650 0$aConceptual art
*651 4$aJapan$0https://libris.kb.se/53hkj6mp5hgzjd3#it
*655 7$aUtställningskataloger$0https://id.kb.se/term/saogf/Utst%C3%A4llningskataloger$2saogf
*655 4$0https://id.kb.se/marc/Catalog
*655 4$0https://id.kb.se/marc/NotFictionNotFurtherSpecified
*7001 $aWeiss, Jeffrey$4aut
*7001 $aWheeler, Anne$4aut
*7001 $aBuren, Daniel$4aut
*7102 $aSolomon R. Guggenheim Museum$4pbl
*841  $5Ko$ax  a$b181207||0000|||||000||||||000000$e|
*852  $5Ko$bKo$cKONST -$hIbz Kawara, On
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*887  $5Ko$a{"@id":"19k58vvjz44cxgbn","modified":"2018-12-07T10:44:03.847+01:00","checksum":"25248917460"}$2librisxl
^

Given his recourse to language, photography and systems of information, On Kawara is often described as a key figure in the history of Conceptual art. Yet his work stands apart in its devotion to painting and its existential reach. On Kawara - Silence is published in conjunction with a major exhibition of Kawara's post-1964 work at the Guggenheim Museum in New York. Like the exhibition itself, the structure of the book was devised in close collaboration with the late artist and contains essays by leading scholars and critics in various fields, including art history, literary studies and cultural anthropology. It also includes substantial, authoritative descriptions of every category of his production - the first time such comprehensive information has appeared in print. Richly illustrated, On Kawara - Silence reproduces many examples of the Date Paintings (Today), calendars (One Hundred Years and One Million Years), postcards (I Got Up), telegrams (I Am Still Alive), news cuttings (I Read), maps (I Went), and lists (I Met) that comprised the artist's practice beginning in the mid-1960s. Among other groups of works, the book includes images of the ninety-seven Date Paintings (accompanied by their newspaperlined storage boxes) that Kawara produced during a three-month run of daily painting in 1970. The catalogue also contains reproductions of paintings and drawings produced in Paris and New York in the years that precede the works for which Kawara is best known, as well as rare images of materials related to his working process