Konstfacks bibliotek

   
Cash for gold : Nina Beier
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  • KONST - Ibz Beier, Nina
Titel och upphov
  • Cash for gold : Nina Beier
Varianttitel
  • Nina Beier
Utgivning, distribution etc.
  • 2016 Milan : Mousse Publishing ; Hamburg : Kunstverein in Hamburg, [2016]
Utgivningsår
  • 2016
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 135 pages, [32] unnumbered pages color illustrations 24 cm
Anmärkning: Allmän
  • Published on the occasion of an exhibition held at the Kunstverein in Hamburg, Hamburg, Germany, May 23-July 16, 2015.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references.
Anmärkning: Innehåll
  • Introduction / Alexander Scrimgeour -- Cash for gold / Bettina Steinbrugge -- Pictures in permafrost / Laura McLean-Ferris -- The fantasy of the fantasy / John Miller -- Pregnant with meaning / Karen Archey -- Negative capability / Chris Sharp -- The flatness of an interface / Post Brothers -- The un-dead currency / Ana Teixeira Pinto -- Poor taste / Dieter Roelstraete.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • "Cash for Gold is the most comprehensive monograph on the work of Nina Beier, copublished with the Kunstverein in Hamburg, in conjunction with Kunsthaus Glarus. Nina Beier's art presents a particular challenge to critics, Alexander Scrimgeour outlines in the introduction to this catalogue-- indeed, an anthology of eight different essays: a textual bounty that proved necessary. The conventional functions of the art writer: interpretation, judgement, critique, contextualisation, etc., stand in an uneasy relationship, not to say opposition, to the explorations of openness, assignations of value, and unspoken cultural codes in her work. The development of this catalogue, and the fact that it does not coalesce into a single, authoritative voice, can perhaps best be seen as a reflection of the work itself, and what makes or lets it carry meaning for different people in different ways. For all the specificity of its materials and forms, it draws its energy from the emotional valence of culturally embedded desires, pressures, norms and glitches within what Rosalind Krauss called, after Fredric Jameson, "the total saturation of cultural space by the image." The sprawl and partiality of this catalogue is itself a mirror of a crisis of representation that is itself the ground occupied by the images, confused objects, and art-historical references in Beier's work to date."--Publisher's website.
Anmärkning: Språk
  • Text in English and German.
Personnamn
Kronologisk term
  • 2000-2099
Term
Geografiskt namn
Institutionsnamn
Elektronisk adress och åtkomst (URI)
  • TOC http://www.columbia.edu/cgi-bin/cul/resolve?clio12471574
  • http://ilibri.casalini.it/toc/3318955 Table of contents
ISBN
  • 9788867492589
  • 8867492586
Antal i kö:
  • 0 (0)
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*520  $a"Cash for Gold is the most comprehensive monograph on the work of Nina Beier, copublished with the Kunstverein in Hamburg, in conjunction with Kunsthaus Glarus. Nina Beier's art presents a particular challenge to critics, Alexander Scrimgeour outlines in the introduction to this catalogue-- indeed, an anthology of eight different essays: a textual bounty that proved necessary. The conventional functions of the art writer: interpretation, judgement, critique, contextualisation, etc., stand in an uneasy relationship, not to say opposition, to the explorations of openness, assignations of value, and unspoken cultural codes in her work. The development of this catalogue, and the fact that it does not coalesce into a single, authoritative voice, can perhaps best be seen as a reflection of the work itself, and what makes or lets it carry meaning for different people in different ways. For all the specificity of its materials and forms, it draws its energy from the emotional valence of culturally embedded desires, pressures, norms and glitches within what Rosalind Krauss called, after Fredric Jameson, "the total saturation of cultural space by the image." The sprawl and partiality of this catalogue is itself a mirror of a crisis of representation that is itself the ground occupied by the images, confused objects, and art-historical references in Beier's work to date."--Publisher's website.
*546  $aText in English and German.
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^
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Cash for Gold is the most comprehensive monograph on the work of Danish-born, New York-based installation artist Nina Beier (born 1975), whose bizarre hybrid amalgamations of found and sculptural objects produce, as she says, "a complete flattening of pictorial and sociopolitical hierarchies.

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Ex1Utlånat05.04.2024Konstfacks bibliotek KONST - Ibz Beier, Nina