Location
Main Entry - Personal Name
Title Statement
Publication, Distribution, etc. (Imprint) 2017
London ; New York : Verso, 2017.
Dewey Decimal Classification Number
SAB Classification Code
Physical Description 244 pages illustrations 22 cm
Bibliography, etc. Note Includes bibliographical references and index.
Formatted Contents Note A Tank on a Pedestal -- How to Kill People: A Problem of Design -- The Terror of Total Dasein: Economies of Presence in the Art Field -- Proxy Politics: Signal and Noise -- A Sea of Data: Apophenia and Pattern (Mis-)Recognition -- Medya: Autonomy of Images -- Duty Free Art -- Digital Debris -- Her Name Was Esperanza -- International Disco Latin --Is the Internet Dead? -- Why Games, Or, Can Art Workers Think? -- Let's Talk about Fascism -- If You Don't Have Bread, Eat Art! : Contemporary Art and Derivative Fascisms -- Ripping Reality.
Summary, etc "Where can contemporary art go under global war and fascism?"-- Provided by publisher.
Subject - Chronological Term
Subject - Topical Term
ISBN
Waiting
*000 cam a 7i 4500
*00144967
*00520171121170359.0
*008171013s2017 xxka||||||||||000 0|eng|
*010 $a2017024230
*020 $a9781786632432$q(hardback)
*035 $a(BOKR)9781786632432
*035 $a(SE-LIBR)21705902
*040 $aDLC$beng$cDLC$dD$ei$erda
*041 $aeng
*042 $apcc
*05000$aN6497$b.S75 2017
*08200$a709.05$223
*084 $aIb.6$2kssb/8 (machine generated)
*1001 $aSteyerl, Hito$4aut
*24510$aDuty free art /$cHito Steyerl.
*264 1$c2017
*264 1$aLondon ;$aNew York :$bVerso,$c2017.
*300 $a244 pages$billustrations$c22 cm
*336 $atext$btxt$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*340 $b22 cm
*504 $aIncludes bibliographical references and index.
*5058 $aA Tank on a Pedestal -- How to Kill People: A Problem of Design -- The Terror of Total Dasein: Economies of Presence in the Art Field -- Proxy Politics: Signal and Noise -- A Sea of Data: Apophenia and Pattern (Mis-)Recognition -- Medya: Autonomy of Images -- Duty Free Art -- Digital Debris -- Her Name Was Esperanza -- International Disco Latin --Is the Internet Dead? -- Why Games, Or, Can Art Workers Think? -- Let's Talk about Fascism -- If You Don't Have Bread, Eat Art! : Contemporary Art and Derivative Fascisms -- Ripping Reality.
*520 $a"Where can contemporary art go under global war and fascism?"--$cProvided by publisher.
*599 $aImported from: lx2.loc.gov:210/LCDB (Do not remove)
*648 7$a2000-talet$0https://id.kb.se/term/sao/2000-talet$2sao
*650 7$aModern konst$2sao$0https://id.kb.se/term/sao/Modern%20konst
*650 7$aKonstfilosofi$2sao$0https://id.kb.se/term/sao/Konstfilosofi
*650 7$aModern konst$xpolitiska aspekter$2sao
*650 0$aArt, Modern$y21st century$xPhilosophy.
*650 0$aArt, Modern$y21st century$xPolitical aspects.
*650 7$aART / Criticism & Theory.$2bisacsh
*650 7$aART / Art & Politics.$2bisacsh
*650 7$aART / History / General.$2bisacsh
*650 0$aArt, Modern
*655 4$0https://id.kb.se/marc/NotFictionNotFurtherSpecified
*841 $5Ko$ax 2$b181024||0000|||||000||||||000000$e|
*852 $cKONST -$hIaa
*887 $a{"@id":"q82hhzq22px27qz","modified":"2017-11-21T17:03:59+01:00","checksum":"144227084164"}$2librisxl
*887 $5Ko$a{"@id":"cmp82qkh99zp5ssp","modified":"2018-10-24T11:01:28.398+02:00","checksum":"56340030210"}$2librisxl
^
No reviews exists for this book.
Click here
to be the first to write a review.
What is the function of art in the era of digital globalization?
How can one think of art institutions in an age defined by planetary civil war, growing inequality, and proprietary digital technology? The boundaries of such institutions have grown fuzzy. They extend from a region where the audience is pumped for tweets to a future of "neurocurating," in which paintings surveil their audience via facial recognition and eye tracking to assess their popularity and to scan for suspicious activity.
A Tank on a Pedestal p. 1 International Disco Latin p. 135 Is the Internet Dead? p. 143 Why Games, Or, Can Art Workers Think? p. 153 Let's Talk about Fascism p. 171 If You Don't Have Bread, Eat Art! Contemporary Art and Derivative Fascisms p. 181 Ripping Reality p. 191 Acknowledgments p. 207 Notes p. 213 How to Kill People: A Problem of Design p. 9 The Terror of Total Dasein: Economies of Presence in the Art Field p. 21 Proxy Politics: Signal and Noise p. 31 A Sea of Data: Apophenia and Pattern (Mis-)Recognition p. 47 Medya: Autonomy of Images p. 63 Duty Free Art p. 75 Digital Debris p. 101 Her Name Was Esperanza p. 115