Konstfacks bibliotek

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"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."--Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination



In Black and Blur --the first volume in his sublime and compelling trilogy consent not to be a single being --Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.

• Prefacep. vii
• Acknowledgmentsp. xv
• Not In Betweenp. 1
• Interpolation and Interpellationp. 28
• Magic of Objectsp. 34
• Sonata Quasi Una Fantasiap. 40
• Taste Dissonance Flavor Escape (Preface to a Solo by Miles Davis)p. 66
• The New International of Rhythmic Feel/ingsp. 86
• The Phonographic Mise-en Scènep. 118
• Liner Notes for Lick Piecep. 134
• Rough Americanap. 147
• Nothing, Everythingp. 152
• Nowhere, Everywherep. 158
• Nobody, Everybodyp. 168
• Remindp. 170
• Amuse-Bouchep. 174
• Collective Headp. 184
• Cornered, Taken, Made to Leavep. 198
• Enjoy All Monstersp. 206
• Some Extrasubtitles for Wildnessp. 212
• To Feel, to Feel More, to Feel More Thanp. 215
• Irruptions and Incoherences for Jimmie Durhamp. 219
• Black and Blue on White. In and And in Spacep. 226
• Blue Vespersp. 230
• The Blur and Breathe Booksp. 245
• Entanglement and Virtuosityp. 270
• Bobby Lee's Handsp. 280
• Notesp. 285
• Works Citedp. 317
• Indexp. 329