Mikromarc websearch : Black and blur

Location	KONST - Ia
Main Entry - Personal Name	Moten, Fred
Title Statement	Black and blur
Publication, Distribution, etc. (Imprint)	Duke University Press, 2017
	2017
	Språk: Engelska.
SAB Classification Code	Ohf Ia:o
Physical Description	339 sidor 23 cm
Series Statement	Consent not to be a single being ;
	1
ISBN	9780822370161
Waiting	0 (0)

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"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."--Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination

In Black and Blur --the first volume in his sublime and compelling trilogy consent not to be a single being --Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.

Prefacep. vii
Acknowledgmentsp. xv
Not In Betweenp. 1
Interpolation and Interpellationp. 28
Magic of Objectsp. 34
Sonata Quasi Una Fantasiap. 40
Taste Dissonance Flavor Escape (Preface to a Solo by Miles Davis)p. 66
The New International of Rhythmic Feel/ingsp. 86
The Phonographic Mise-en Scènep. 118
Liner Notes for Lick Piecep. 134
Rough Americanap. 147
Nothing, Everythingp. 152
Nowhere, Everywherep. 158
Nobody, Everybodyp. 168
Remindp. 170
Amuse-Bouchep. 174
Collective Headp. 184
Cornered, Taken, Made to Leavep. 198
Enjoy All Monstersp. 206
Some Extrasubtitles for Wildnessp. 212
To Feel, to Feel More, to Feel More Thanp. 215
Irruptions and Incoherences for Jimmie Durhamp. 219
Black and Blue on White. In and And in Spacep. 226
Blue Vespersp. 230
The Blur and Breathe Booksp. 245
Entanglement and Virtuosityp. 270
Bobby Lee's Handsp. 280
Notesp. 285
Works Citedp. 317
Indexp. 329