Hylla
Titel och upphov Fashioning the Nineteenth Century
Utgivning, distribution etc. Minneapolis : University of Minnesota Press, 2014
Utgivningsår
DDC klassifikationskod (Dewey Decimal Classification)
Fysisk beskrivning
Serietitel - ej biuppslagsform
Nummer i serie
Seriebiuppslag under titel
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll Machine generated contents note: -- Contents -- Preface and Acknowledgments -- Clothing, Dress, Fashion: An Arcade -- Introduction: Fashioning a Century -- Cristina Giorcelli -- 1. Psychoanalytic Views of Cross-Dressing and Transvestism -- Bianca Iaccarino Idelson -- 2. Our Job Is to Create Beauty: A Personal Memoir of La Perla -- Anna Masotti -- 3. Modernity Clothing: Birthing the Modern Atlantic/Birthing the Modern Republic -- Carroll Smith-Rosenberg -- 4. Garment of the Unseen: The Philosophy of Clothes in Carlyle and Emerson -- Giuseppe Nori -- 5. An Emblem of All the Rest: Wearing the Widow's Cap in Victorian Literature -- Dagni Bredesen -- 6. Clothing the Marmorean Flock: Sartorial Historicism and The Marble Faun -- Bruno Monfort -- 7. Florence -- Beryl Korot -- 8. Accessories to the Crime in What Maisie Knew -- Clair Hughes -- 9. Costume and Form: D'Annunzio and Mutable Appearances -- Marta Savini -- 10. Shawls Redefine Womanhood in American Literature, 1850s-1920s -- Anna Scacchi -- 11. A Lovely Little Coffee-Colored Dress: Education, Female Identity, and Dress at the End of the Nineteenth Century -- Carmela Covato -- 12. Gender and Power: Dressing "Charlie" -- Cristina Giorcelli -- 13. Imaginative Habits: Fantasies of Undressing in The Ambassadors -- Agnes Derail-Imbert -- Coda: Seen and Obscene -- Paula Rabinowitz -- Contributors
Anmärkning: Innehållsbeskrivning, sammanfattning In nineteenth-century Europe and the United States, fashion--once the province of the well-to-do--began to make its way across class lines. At once a democratizing influence and a means of maintaining distinctions, gaps in time remained between what the upper classes wore and what the lower classes later copied. And toward the end of the century, style also moved from the streets to the parlor. The third in a four-part series charting the social, cultural, and political expression of clothing, dress, and accessories, Fashioning the Nineteenth Century focuses on this transformative period in an effort to show how certain items of apparel acquired the status of fashion and how fashion shifted from the realm of the elites into the emerging middle and working classes--and back. The contributors to this volume are leading scholars from France, Italy, and the United States, as well as a practicing psychoanalyst and artists working in fashion and with textiles. Whether considering girls' school uniforms in provincial Italy, widows' mourning caps in Victorian novels, Charlie's varying dress in Kate Chopin's eponymous story, or the language of clothing in Henry James, the essays reveal how changes in ideals of the body and its adornment, in classes and nations, created what we now understand to be the imperatives of fashion. Contributors: Dagni Bredesen, Eastern Illinois U; Carmela Covato, U of Rome Three; Agnes Derail-Imbert, & Eacute;cole Normale Superieure/VALE U of Paris, Sorbonne; Clair Hughes, International Christian University of Tokyo; Bianca Iaccarino Idelson; Beryl Korot; Anna Masotti; Bruno Monfort, Universite of Paris, Ouest Nanterre La Defense; Giuseppe Nori, U of Macerata, Italy; Marta Savini, U of Rome Three; Anna Scacchi, U of Padua; Carroll Smith-Rosenberg, U of Michigan."
Kronologisk term
Term
ISBN 9780816687466 0816687463 9780816687473 0816687471
Antal i kö:
*000 cam a 7c 4500
*00144687
*00520181003103542.0
*008181003s2014 mnua|||||b||||000 0|eng|d
*010 $a2013040906
*020 $a9780816687466$q(hardback)
*020 $a0816687463$q(hardback)
*020 $a9780816687473$q(pb)
*020 $a0816687471$q(pb)
*035 $a(OCoLC)ocn900478983
*035 $a(SE-LIBR)088fxp9pxj6ttdkn
*040 $aKo$bdan$cDKDLA$dOCLCO$dOCLCF$dOCLCQ$dOCLCO$dOCL$dOCLCQ$dOCLCO$ec
*041 $aeng
*05014$aPN56.C684$bF45 2014
*08204$a809 .933564$223
*24500$aFashioning the Nineteenth Century /$cCristina Giorcelli and Paula Rabinowitz, editors.
*264 1$aMinneapolis :$bUniversity of Minnesota Press,$c2014
*300 $a289 s.$billustrations
*336 $atekst$btxt$2rdacontent/dan
*337 $aumedieret$bn$2rdamedia/dan
*4901 $aHabits of being ;$v3
*504 $aIncludes bibliographical references.
*5058 $aMachine generated contents note: -- Contents -- Preface and Acknowledgments -- Clothing, Dress, Fashion: An Arcade -- Introduction: Fashioning a Century -- Cristina Giorcelli -- 1. Psychoanalytic Views of Cross-Dressing and Transvestism -- Bianca Iaccarino Idelson -- 2. Our Job Is to Create Beauty: A Personal Memoir of La Perla -- Anna Masotti -- 3. Modernity Clothing: Birthing the Modern Atlantic/Birthing the Modern Republic -- Carroll Smith-Rosenberg -- 4. Garment of the Unseen: The Philosophy of Clothes in Carlyle and Emerson -- Giuseppe Nori -- 5. An Emblem of All the Rest: Wearing the Widow's Cap in Victorian Literature -- Dagni Bredesen -- 6. Clothing the Marmorean Flock: Sartorial Historicism and The Marble Faun -- Bruno Monfort -- 7. Florence -- Beryl Korot -- 8. Accessories to the Crime in What Maisie Knew -- Clair Hughes -- 9. Costume and Form: D'Annunzio and Mutable Appearances -- Marta Savini -- 10. Shawls Redefine Womanhood in American Literature, 1850s-1920s -- Anna Scacchi -- 11. A Lovely Little Coffee-Colored Dress: Education, Female Identity, and Dress at the End of the Nineteenth Century -- Carmela Covato -- 12. Gender and Power: Dressing "Charlie" -- Cristina Giorcelli -- 13. Imaginative Habits: Fantasies of Undressing in The Ambassadors -- Agnes Derail-Imbert -- Coda: Seen and Obscene -- Paula Rabinowitz -- Contributors
*5208 $aIn nineteenth-century Europe and the United States, fashion--once the province of the well-to-do--began to make its way across class lines. At once a democratizing influence and a means of maintaining distinctions, gaps in time remained between what the upper classes wore and what the lower classes later copied. And toward the end of the century, style also moved from the streets to the parlor. The third in a four-part series charting the social, cultural, and political expression of clothing, dress, and accessories, Fashioning the Nineteenth Century focuses on this transformative period in an effort to show how certain items of apparel acquired the status of fashion and how fashion shifted from the realm of the elites into the emerging middle and working classes--and back. The contributors to this volume are leading scholars from France, Italy, and the United States, as well as a practicing psychoanalyst and artists working in fashion and with textiles. Whether considering girls' school uniforms in provincial Italy, widows' mourning caps in Victorian novels, Charlie's varying dress in Kate Chopin's eponymous story, or the language of clothing in Henry James, the essays reveal how changes in ideals of the body and its adornment, in classes and nations, created what we now understand to be the imperatives of fashion. Contributors: Dagni Bredesen, Eastern Illinois U; Carmela Covato, U of Rome Three; Agnes Derail-Imbert, & Eacute;cole Normale Superieure/VALE U of Paris, Sorbonne; Clair Hughes, International Christian University of Tokyo; Bianca Iaccarino Idelson; Beryl Korot; Anna Masotti; Bruno Monfort, Universite of Paris, Ouest Nanterre La Defense; Giuseppe Nori, U of Macerata, Italy; Marta Savini, U of Rome Three; Anna Scacchi, U of Padua; Carroll Smith-Rosenberg, U of Michigan."
*599 $aImported from: zcat.oclc.org:210/OLUCWorldCat (Do not remove)
*648 7$a1800-1899$2fast
*650 0$aClothing and dress in literature.
*650 0$aFashion in literature.
*650 0$aLiterature and society$xHistory$y19th century.
*650 0$aClothing and dress$xSocial aspects.
*650 0$aFashion$xSocial aspects.
*650 7$aClothing and dress in literature$2fast
*650 7$aFashion in literature$2fast
*650 7$aLiterature and society$2fast
*650 7$aSOCIAL SCIENCE$xAnthropology$xCultural.$2bisacsh
*650 7$aDESIGN$xFashion.$2bisacsh
*650 7$aBUSINESS & ECONOMICS$xConsumer Behavior.$2bisacsh
*650 7$aClothing and dress$xSocial aspects$2fast
*650 7$aFashion$xSocial aspects$2fast
*655 7$aHistory$2fast
*655 4$0https://id.kb.se/marc/Bibliography
*655 4$0https://id.kb.se/marc/NotFictionNotFurtherSpecified
*7001 $aGiorcelli, Cristina$eeditor of compilation$4edt
*7001 $aRabinowitz, Paula$eeditor of compilation$4edt
*830 0$aHabits of Being ;$v3
*841 $5Ko$ax a$b181003||0000|||||000||||||000000$e|
*852 $5Ko$bKo$cTEXTIL -$hIhk
*866 $5Ko
*887 $a{"@id":"088fxp9pxj6ttdkn","modified":"2018-10-03T10:35:42.019+02:00","checksum":"121238116032"}$2librisxl
*887 $5Ko$a{"@id":"s227r90gqr1jjn1n","modified":"2018-10-03T10:36:16.888+02:00","checksum":"151548116783"}$2librisxl
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
In nineteenth-century Europe and the United States, fashion--once the province of the well-to-do--began to make its way across class lines. At once a democratizing influence and a means of maintaining distinctions, gaps in time remained between what the upper classes wore and what the lower classes later copied. And toward the end of the century, style also moved from the streets to the parlor. The third in a four-part series charting the social, cultural, and political expression of clothing, dress, and accessories, Fashioning the Nineteenth Century focuses on this transformative period in an effort to show how certain items of apparel acquired the status of fashion and how fashion shifted from the realm of the elites into the emerging middle and working classes--and back.
The contributors to this volume are leading scholars from France, Italy, and the United States, as well as a practicing psychoanalyst and artists working in fashion and with textiles. Whether considering girls' school uniforms in provincial Italy, widows' mourning caps in Victorian novels, Charlie's varying dress in Kate Chopin's eponymous story, or the language of clothing in Henry James, the essays reveal how changes in ideals of the body and its adornment, in classes and nations, created what we now understand to be the imperatives of fashion.
Contributors: Dagni Bredesen, Eastern Illinois U; Carmela Covato, U of Rome Three; Agnès Derail-Imbert, École Normale Supérieure/VALE U of Paris, Sorbonne; Clair Hughes, International Christian University of Tokyo; Bianca Iaccarino Idelson; Beryl Korot; Anna Masotti; Bruno Monfort, Université of Paris, Ouest Nanterre La Défense; Giuseppe Nori, U of Macerata, Italy; Marta Savini, U of Rome Three; Anna Scacchi, U of Padua; Carroll Smith-Rosenberg, U of Michigan.