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Titel och upphov The soundscape of modernity : architectural acoustics and the culture of listening in America, 1900-1933
Utgivning, distribution etc. Cambridge, Mass. MIT Press, 2002
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Fysisk beskrivning
Anmärkning: Allmän Även med tryckår: 2. tr., 2004
Term
ISBN 0262201380 (HC. : ALK. PAPER) ; 0262701065
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In this history of aural culture in early-20th-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era.
Acknowledgments p. vii Introduction: Sound, Modernity, and History p. 1 The Origins of Modern Acoustics p. 13 The New Acoustics, 1900-1933 p. 59 Noise and Modern Culture, 1900-1933 p. 115 Acoustical Materials and Modern Architecture, 1900-1933 p. 169 Electroacoustics and Modern Sound, 1900-1933 p. 229 Conclusion: Rockefeller Center and the End of an Era p. 295 Coda p. 317 Notes p. 325 Bibliography p. 425 Index p. 471