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Titel och upphov Choreo-graphic figures : deviations from the line
Varianttitel
Utgivning, distribution etc. De Gruyter, Berlin : c2017.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 395 pages : illustrations (chiefly color) ; 23 cm.
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Anmärkning: Allmän Also available as part of a 2-volume set, ISBN 978-3-11-055167-9. Index on dust jacket.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning "Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide. The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness -- the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics -- within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice"--Publisher's website.
Term
ISBN 978-3-11-054660-6 3-11-054660-4
Antal i kö:
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*020 $a978-3-11-054660-6
*020 $a3-11-054660-4$q(pbk.)
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*050 4$aNX460.5.E95$bC46 2017
*072 7$aN$2lcco
*084 $aIaa$2kssb/8
*24500$aChoreo-graphic figures :$bdeviations from the line /$c[based on original research and edited by] Nikolaus Gansterer, Emma Cocker, Mariella Greil.
*2463 $aChoreographic figures
*260 $aBerlin :$bDe Gruyter,$cc2017.
*300 $a395 pages :$billustrations (chiefly color) ;$c23 cm.
*4901 $aEdition Angewandte : book series of the University of Applied Arts Vienna,$x1866-248X
*500 $aAlso available as part of a 2-volume set, ISBN 978-3-11-055167-9.
*500 $aIndex on dust jacket.
*504 $aIncludes bibliographical references and index.
*520 $a"Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide. The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness -- the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics -- within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice"--Publisher's website.
*599 $aImported from: pulse.uta.edu:7099/pulse (Do not remove)
*650 0$aArts$xExperimental methods.
*650 0$aArts$xResearch.
*650 0$aArtistic collaboration.
*650 0$aGroup work in art.
*7001 $aGansterer, Nikolaus$4edt
*7001 $aCocker, Emma$4edt
*7001 $aGreil, Mariella$4edt
*830 0$aEdition Die Angewandte, University Press.$x1866-248X
*841 $5Ko$ax a$b1804254u 8 1001uu 0901128$e4
*852 $5Ko$bKo$cKONST -$hIaa
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Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide.
The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness -- the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics -- within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice.