Konstfacks bibliotek

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*00144188
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*008180329s2018    ne a          001 0deng d
*020  $a978-94-92311-24-5$q(hardback)
*020  $a94-92311-24-0
*035  $a(OCoLC)on1033553529
*035  $a(OCoLC)1033553529$z(OCoLC)1031438689
*035  $a(SE-LIBR)22667535
*040  $aNZAUC$beng$erda$cNZAUC$dOCLCO$dERASA$dBDX
*050 4$aNK3700-4695
*08204$a738
*084  $aIhfa$2kssb/8
*1001 $aMorris, Tom,$eauthor.
*24510$aNew wave clay :$bceramic design, art and architecture /$cTom Morris.
*264 1$aAmsterdam :$bFrame Publishers,$c[2018]
*264 4$c©2018
*300  $a296 pages :$bcolour illustrations ;$c28 cm
*336  $atext$2rdacontent
*336  $astill image$2rdacontent
*337  $aunmediated$2rdamedia
*338  $avolume$2rdacarrier
*500  $aIncludes index.
*520  $a"Throughout the twentieth century, ceramics was broadly divided into two sectors. Studio pottery, which was a reaction against the mass-made wares of the industrial revolution, and fine art by contemporary artists, who just happened to use clay in their practice but rejected many of its traditional codes of practice. The unprecedented surge in popularity of ceramics in the last five years has helped forge a new type of potter: the ceramic designer. Part-craftsman, part designer, they bridge ceramic craft, collectable design, and fine art. These ceramicists include product designers who use clay as a means of creative expression, and classically trained potters who create design-led pieces, in addition to interior decorators, illustrators, and graphic designers. Their collective output includes furniture, decorative objects, murals, and vessels: not art, not craft, but design. The ambition of the book is to show the diversity of this area of creative production and the way in which history, craft, technology, and design are all intersecting in the present day, creating a new type of designer--and a new type of ceramicist. The book is divided into four thematic chapters and accompanied by written contributions on the subject from designers, decorators, and collectors."--$cProvided by publisher.
*650 7$aKeramik$2sao$0https://id.kb.se/term/sao/Keramik
*650 0$aCeramics$xHistory$y20th century.
*650 0$aCeramics$xHistory$y21st century.
*650 0$aPottery$xHistory$y20th century.
*650 0$aPottery$xHistory$y21st century.
*650 0$aPotters.
*650 0$aDesigners.
*841  $5Ko$ax  a$b1805154u    8   1001uu   0901128$e4
*852  $5Ko$bKo$cKERAMIK -$hIhfa
^

New Wave Clay unpicks the zeitgeist and aesthetic of an exciting discipline with intelligence, insight and indulgence .

Against the backdrop of the digital age and shiny screens, a whole new generation of craftspeople, designers and artists are realizing the pleasure of working with clay and bringing a fresh perspective to the material. Today, there is a lively crossover between craft, design, sculpture and technology that is rethinking ceramics: what you can make with it, what it looks like and who makes it.

New Wave Clay is a global survey of 55 imaginative ceramicists that are leading this craft revival. They include classically trained potters who create design-led pieces, product designers who use clay as a means of creative expression, as well as fine artists, architects, decorators, illustrators, sculptors and graphic designers. Their collective output goes far beyond pots into ceramic furniture, sculpture, murals, wall reliefs, small-scale architecture and 3D printing.

The book is divided into four thematic sections and features special contributions from Edmund de Waal, Hella Jongerius, Grayson Perry, Martin Brudnizki and Sarah Griffin discussing craft, industry, ornament, decorating and collecting.

New Wave Clay is an image-led, dynamic study of the exciting new generation jumpstarting this age-old art.