Konstfacks bibliotek : Danh Vo : take my breath away

Hylla	KONST - Ibz Vo, Danh
Personnamn	Vo, Danh,
Titel och upphov	Danh Vo : take my breath away
Varianttitel	Take my breath away
Utgivning, distribution etc.	New York : Guggenheim Museum Publications, [2018] ♭2018
Utgivningsår	2018
	Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)	709.04/075
SAB klassifikationskod	Ibz Vo, Danh
Fysisk beskrivning	lv, 267, cclxix-cclxxxiv pages : illustrations (chiefly color) ; 30 cm
Anmärkning: Allmän	"Published on the occasion of the exhibition ... organized by Katherine Brinson with Susan Thompson. Solomon R. Guggenheim Museum, New York, February 9-May 9, 2018. Statens Museum for Kunst, Copenhagen, August 30-December 2, 2018"--Title page verso.
Anmärkning: Bibliografi etc.	Includes bibliographical references.
Anmärkning: Innehållsbeskrivning, sammanfattning	Danh Vo's conceptual, installation-based practice dissects the cultural forces and private desires that shape our experience of the world. He often employs found objects, images and texts to animate personal narratives that refract global political histories. Published to accompany the most comprehensive museum survey to date of the Danish artist's work, this catalog presents for the first time an illuminating overview of Vo's work from the past 15 years. Organized around nearly 30 major projects and installations, the volume ranges from Vo's early performative works such as Vo Rosasco Rasmussen (2003), in which he married and divorced acquaintances in order to add their surnames to his own, to his recent sculptural hybrids of classical and Christian statuary. A lead essay by Katherine Brinson probes the artist's roving, research-based process in which historical study, fortuitous encounters and personal relationships are woven into psychologically potent tableaux. Significant recurring subjects include the legacy of colonialism and the fraught status of the refugee, as well as the image of the United States in its own collective imagination and in that of the world.
Personnamn	Vo, Danh, Vo, Danh, Vo, Danh, Vo, Danh,
Term	Themes, motives.
Institutionsnamn	Solomon R. Guggenheim Museum, Statens museum for kunst (Denmark),
ISBN	978-0-89207-539-3 0-89207-539-2
Antal i kö:	0 (0)

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*504  $aIncludes bibliographical references.
*5208 $aDanh Vo's conceptual, installation-based practice dissects the cultural forces and private desires that shape our experience of the world. He often employs found objects, images and texts to animate personal narratives that refract global political histories. Published to accompany the most comprehensive museum survey to date of the Danish artist's work, this catalog presents for the first time an illuminating overview of Vo's work from the past 15 years. Organized around nearly 30 major projects and installations, the volume ranges from Vo's early performative works such as Vo Rosasco Rasmussen (2003), in which he married and divorced acquaintances in order to add their surnames to his own, to his recent sculptural hybrids of classical and Christian statuary. A lead essay by Katherine Brinson probes the artist's roving, research-based process in which historical study, fortuitous encounters and personal relationships are woven into psychologically potent tableaux. Significant recurring subjects include the legacy of colonialism and the fraught status of the refugee, as well as the image of the United States in its own collective imagination and in that of the world.
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*70012$aBrinson, Katherine.$tLittle or nothing but life.
*7102 $aSolomon R. Guggenheim Museum,$eorganizer,$ehost institution.
*7102 $aStatens museum for kunst (Denmark),$ehost institution.
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The first comprehensive book in English on the conceptual artist Danh Vo.

Danh Vo's conceptual, installation-based practice dissects the power structures, cultural forces and private desires that shape our experience of the world. He often employs found objects, images and texts to animate personal narratives that refract global political histories. Published to accompany the most comprehensive museum presentation to date of the Danish artist's work, this catalogue presents for the first time an illuminating overview of Vo's work from the past fifteen years. Organized around nearly thirty major projects and installations, the volume ranges from Vo's early conceptual works such as The Marriage Project (2003-05), in which he married and divorced acquaintances in order to add their surnames to his own, to his recent sculptural hybrids of classical and Christian statuary. A lead essay by Katherine Brinson probes the artist's roving, research-based process in which historical study, fortuitous encounters, and personal relationships are woven into psychologically potent tableaux. Significant recurring subjects include the legacy of colonialism and the fraught status of the refugee, as well as the image of the United States in its own collective imagination and in that of the world.