Konstfacks bibliotek

*00003770cam a22003857i 4500
*00144164
*00520180514134307.0
*008170915s2016    gw a     b    001 0 eng d
*020  $a3-86930-921-0
*020  $a978-3-86930-921-7
*035  $a(OCoLC)898424950
*035  $a(SE-LIBR)21539781
*05014$aN6537.G628$bA4 2016
*08204$a709.2$222 (machine generated)
*084  $aIbz González-Torres, Félix$2kssb/8
*1001 $aGonzález-Torres, Félix,$d1957-1996
*24510$aFelix Gonzalez-Torres /$cedited by Julie Ault.
*250  $aSecond edition.
*264 1$aGöttingen :$bSteidl,$c2016.
*300  $axv, 410 pages :$billustrations (some color) ;$c28 cm.
*336  $atext$btxt$2rdacontent.
*337  $aunmediated$2rdamedia.
*338  $avolume$bnc$2rdacarrier.
*504  $aIncludes bibliographical references (pages 381-400) and index.
*50500$gPreface /$rJulie Ault --$gAcknowledgments --$tMethod and morphology.$tWhen this you see remember me /$rRobert Storr ;$tFelix Gonzalez-Torres: all the time in the world /$rRobert Nickas ;$tThe means of pleasure /$rAmada Cruz ;$tThe modern theater is the epic theater /$rBertolt Brecht ;$tFelix Gonzalez-Torres: interview /$rTim Rollins --$tSocial relations and production of meaning.$tAuthority figure /$rRussell Ferguson ;$tThe authorized viewer /$rRainer Fuchs ;$tThe death of the author /$rRoland Barthes ;$tExhibition statement /$rFelix Gonzalez-Torres ;$tThe ethos of the edition: the stacks of Felix Gonzalez-Torres /$rSusan Tallman ;$tPractices: the problem of divisions of cultural labor /$rFelix Gonzalez-Torres ;$tThe telly and death /$rMarguerite Duras --$tPerfect lovers: context and romantic union.$tHiroshima mon amour synopsis /$rMarguerite Duras ;$t1990: L.A., "The gold field" /$rFelix Gonzales-Torres ;$tThe fall /$rVirgilio Piñera ;$tSelected correspondence /$rFelix Gonzales-Torres ;$tsubversive beauty: new modes of contestation /$rbell hooks --$tPassion of remembrance: history and memory.$tCommon properties /$rCarlos Basualdo ;$tStatement on Sheridan Square billboard /$rFelix Gonzales-Torres ;$tHow do you memorialize a movement that isn't dead? /$rDavid Deitcher ;$tRemember my name /$rGerardo Mosquera ;$tBlood-remembering /$rRainer Maria Rilke ;$t(sans titre), Felix Gonzalez-Torres /$rLewis Baltz --$tSpatial poetics and spatial politics.$tThe past to come: Felix Gonzalez-Torres /$rCharles Merewether ;$tFelix Gonzalez-Torres: être un espion /$rRobert Storr ;$tProjects 34: Felix Gonzalez-Torres /$rAnne Umland ;$tFinal soliloquy of the interior paramour /$rWallace Stevens ;$tTravel as metaphor /$rNancy Spector ;$tUnguided tour /$rSusan Sontag -- Social landscape: between private and public.$tThe becoming of a work of art: FGT and a possibility of renewal, a chance to share, a fragile truce /$rMiwon Kwon ;$tContradictions and containment /$rDavid Deitcher ;$tPress release /$rFelix Gonzalez-Torres ;$tIn purgatory: the work of Felix Gonzalez-Torres /$rSimon Watney ;$tA conversation /$rJoseph Kosuth and Felix Gonzalez-Torres ;$tChronology /$rJulie Ault --$tBack matter.$gExhibition history and bibliography ;$gContributores ;$tReproduction credits ;$tIndex.
*60014$aGonzález-Torres, Félix,$d1957-1996$056500
*7001 $aAult, Julie$4edt
*852  $5Ko$bKo$cKONST -$hIbz González-Torres, Félix
^

F lix Gonz lez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to "make this a better place for everyone." Combining principles of Conceptual Art, minimalism and political activism, Gonz lez-Torres' arsenal included public billboards, giveaway piles of candy or posters and ordinary objects (clocks, mirrors, light fixtures) often used to startling effect. His work challenged notions of public and private space, originality, authorship and the authoritative structure in which he functioned. With this volume, now in its second edition, Gonzalez-Torres's editor Julie Ault has amassed a comprehensive overview of this important artist. In the spirit of the artist's method, Ault rethinks the very idea of what a monograph should be. The book contains texts by Robert Storr and Miwon Kwon, among other notables, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence and writings that influenced Gonz lez-Torres and his work. Ample visual documentation adds another decisive layer of content. We see works not just in their finality, but often witness their transformation over a lifespan.